Stock Options Tax Irlanda

Di oggi Borsa Notizie amp analisi in tempo reale After Hours Pre-Market News Flash Citazione Sommario Citazione Interactive Grafici predefiniti Impostazione Si prega di notare che una volta effettuata la selezione, che si applicherà a tutte le visite future a NASDAQ. Se, in qualsiasi momento, si è interessato a ritornare alle nostre impostazioni predefinite, selezionare Impostazioni predefinite sopra. Se avete domande o incontrano problemi nel cambiare le impostazioni predefinite, inviare un'e-mail isfeedbacknasdaq. Si prega di confermare la selezione: Hai scelto di modificare l'impostazione predefinita per il preventivo Cerca. Questo sarà ora la tua pagina di destinazione predefinita a meno che non si cambia di nuovo la configurazione, o si eliminano i cookie. Sei sicuro di voler modificare le impostazioni Abbiamo un favore da chiederti Si prega di disattivare il blocco annuncio (o aggiornare le impostazioni per garantire che JavaScript ei cookie sono abilitati), in modo da poter continuare a fornire la notizia mercato di prim'ordine ei dati youve si aspettano da opzioni us. Free eBook Se si potrebbe generare a basso rischio, consistente mese dopo mese reddito, cosa vorresti fare con esso di viaggio pagare giù le bollette andare in pensione anticipata Un sacco di persone stanno utilizzando le opzioni di ogni giorno per generare reddito e far crescere i loro portafogli per aiutarli a realizzare i loro sogni. Perché aren39t uno di loro Il fatto è, utilizzando le opzioni di generare reddito isn39t molto complicato. It39s solo che molti commercianti non hanno mai imparato le tecniche necessarie per farlo. Sì voglio un ebook gratuito per i commercianti di opzioni ed altre informazioni sul mercato Taker Mentoring, Inc. periodicamente via e-mail a me. Opzioni e-Book gratuito per le opzioni di commercianti leggere questo eBook e imparare come è possibile impostare opzioni di generazione di reddito compravendite ora. Scarica il mio ebook LIBERO sopra. e fare il primo passo per diventare un trader. Europe meglio per colpire Apple con il suo più grande sanzione fiscale sempre uno dei scenari peggiori per situazione Mele fiscale sembra come se la sua sul punto di diventare realtà. Margrethe Vestager, il concorso assessore EG, ha distribuito un 130 pagine giudizio sulle mele operazioni Irlanda, il Financial Times. prima di una decisione ufficiale sulla struttura Mele fiscale previsto oggi. La Commissione europea ha iniziato a esaminare le mele aliquota irlandese nel 2014, quindi la decisione di martedì sarà il culmine di una ricerca di tre anni. La Commissione ha concluso che Apple ha ricevuto aiuti di Stato illegali da Irlanda - essenzialmente un affare di innamorato che ha permesso al produttore di computer per ridurre ingiustamente il suo disegno di legge fiscale in modo non è disponibile per altre aziende, secondo il rapporto. La Commissione si è concentrata su come e in cui Apple elenca la sua proprietà intellettuale ai fini fiscali, che è uno dei principali scappatoie che i critici sostengono tech usano per incanalare risorse verso i paesi a bassa tassazione. La decisione non ha un bel specifica attaccato, ma si pensa che sia più grande d'Europa sanzione fiscale mai, secondo il Financial Times. che la quantità pioli in miliardi di euro. Vestager rivelerà la stima commissioni il Martedì. stime precedenti hanno agganciato Mele responsabilità su tasse arretrate in Irlanda in quanto 19 miliardi. ma altre stime l'hanno a meno di 1 miliardo di dollari. Reuters riporta che la Commissione raccomanderà che l'Irlanda deve recuperare oltre 1 miliardo di euro rispetto Apple. Ci si aspetta di essere più grande della più grande sanzione UE fino ad oggi - 1,4 miliardi di euro, riscossa contro gruppo energetico francese EDF nel 2015. Apple, può essere necessario riformulare i propri conti in Irlanda e l'emissione di nuove bilancio. La scorsa settimana, il Tesoro degli Stati Uniti ha avvertito l'Unione europea che, se ha deciso di recuperare grandi quantità di imposte da Apple, che potrebbe creare uno spiacevole precedente. Il CEO di Apple Tim Cook ha criticato il sistema fiscale internazionale, non va bene, e ha promesso di impugnare la decisione se ritiene che Apple non ha ancora ottenere un processo equo. Mi spiego quello che succede con le nostre tasse internazionali. Thats denaro in Irlanda che hes probabilmente riferisco è denaro che è soggetto alle imposte statunitensi. La legge fiscale in questo momento dice che siamo in grado di tenere in Irlanda o siamo in grado di riportarlo, Cook ha detto al Washington Post. E 'importante per tutti capire che l'accusa fatta nel E. U. è che l'Irlanda ci ha dato un'offerta speciale. Irlanda nega che, Cook ha detto. La polemica base alla radice di questo è, la gente davvero arent sostenendo che Apple dovrebbe pagare più tasse. Theyre litigare su chi dovrebbero essere pagati a. E ce n'è almeno un braccio di ferro in corso tra i paesi di come allocare i profitti. Apple non ha risposto immediatamente alla richiesta di commento. VEDI ANCHE: All'interno mele controllate irlandesi

Regolamentati Binary Opzioni Broker Canada

La scelta di un broker di opzioni binarie La scelta di un broker di opzioni binarie a volte può sembrare un compito enorme, ma equipaggiato con le informazioni di cui sopra e le intuizioni su ciò che separa il bene dal male, si può fare una scelta informata e restringere la selezione verso il basso per un gestibile numero di mediatori. 1 Utilizzare un Broker regolamentato Se i commercianti potessero guardare oltre le pagine di vendita glamour e agire su questo punto, la maggior parte delle storie di orrore nel mercato delle opzioni binarie sarebbe stato impedito a questo punto. E 'imperativo che i commercianti scegliere un broker regolamentato. Regolamento garantisce una serie di cose: a) accertare l'identità del broker e fare in modo che il broker in questione è qualificato per essere un mediatore e non un criminale appena uscito di prigione e alla ricerca di una rapida Buck. b) Assicurarsi che hanno un indirizzo che può essere pin-ha, che si trova e noto a tutti quanti, e per garantire che essi non sono fly-by-night operatori. c) garantire la separazione dei fondi commercianti. Se non si desidera broker ottenere l'accesso al vostro denaro per pagare i loro amministratori delegati mogli di shopping spese. d) Verificare che il loro comportamento sul mercato è trasparente. e) assicurare che si sono pagati i vostri soldi quando dovuto e senza ritardi. Ci sono sempre più perdenti che vincitori nel mercato delle opzioni binarie, in modo da mediatori che fanno vera e propria attività non hanno alcuna scusa per non pagare da gestioni separate. Molti broker nel mercato delle opzioni binarie sono regolamentati. 90 del broker di opzioni binarie operano da Cipro, e dopo alcune denunce di pratiche senza scrupoli da parte degli intermediari, Cyprus Securities and Exchange Commission (CySEC) ha finalmente deciso di intervenire. Tutti i broker di opzioni binarie sono state date fino alla fine dell'anno per ottenere le licenze o spegnere. Ciò significa che entro il 2013, non vi è alcun motivo per essere utilizzando un cosiddetto mediatore con sede a Cipro il cui status regolamento è indeterminata. Chi Regola Opzioni Binarie Trading in diversi paesi 2 trasparenza dei prezzi Alcuni broker sono colpevole dei seguenti manipolazioni dei prezzi: 1) Attività non essere disponibile per la negoziazione in cui vi è una maggiore volatilità. 2) Dati al punto di pareggio spinto in territorio perdita con alcuni momenti per il commercio di scadenza. 3) Il prezzo di scommesse o vincite da regolare inutilmente. Per evitare questi problemi, che fare con un broker che fornisce i prezzi di II livello in modo da sapere realmente cosa sta succedendo nel mercato. 3 Facilità di transazioni meno che non si vive in un paese in una lista nera finanziaria globale, c'è ben poca motivazione a fare affidamento ancora sui fili bancari in tempo-spreco per transazioni con un broker di opzioni binarie. Ci sono molti di loro che ora offrono depositi istantanei e prelievi utilizzando una varietà di metodi, come carte di credito, e-wallet e PayPal. Cercare di ottenere un broker che fa depositi e prelievi una brezza. 4 scelta di tipi di contract intermediari che non sono restrittive nei loro offerta attività o nei tipi di contratto offerti per la negoziazione. Un trader dovrebbe essere in grado di avere il potere di scegliere, e quei poteri vengono erosi quando i tipi commerciali di quotazione dell'attività o del contratto sono restrittive. Quando i broker offrono diversi tipi commerciali tra cui scegliere, è più facile per il commerciante di praticare tutti e poi fare una scelta del tipo assetstrade preferito. 5 Servizio Clienti E 'semplicemente non all'altezza per un broker di lasciare una risposta e-mail per una settimana intera, ma questo è ciò che un broker che noi non saremo qui ricordare in realtà ha fatto per uno dei nostri persone che stava mettendo alla prova uno dei loro servizi fx . Scegliere un broker che ha almeno una giornata di lavoro 18 ore per il loro servizio clienti in modo che possano essere a disposizione per rispondere alle vostre richieste. Questi sono alcuni dei punti chiave da guardare fuori per quando si sceglie un broker di opzioni binarie in mercati di oggi. Date un'occhiata ai seguenti broker consigliati dal nostro staff a BinaryOptions. In particolare we8217ve presi in considerazione: i versamenti, disponibilità di mercato, i tipi di opzioni binarie, assistenza clienti e promozioni. Regolamentati Opzioni binarie Brokers: Altri fisso-odds broker di opzioni: opzioni binarie di fornitori di pagamento: Benvenuti migliori broker di opzioni binarie Opzioni Binarie Brokers 8211 Come per rendere il nostro team di Top List BestBinaryOptionsBrokers prova i broker di opzioni binarie elencati da purga costantemente le bacheche e truffa siti di denuncia per gli altri operatori esperienze legit con i siti nel mercato del commercio di oggi. Le nostre recensioni riflettono i dati che raccogliamo e le nostre migliori o top 10 liste vengono aggiornati di conseguenza. Con quasi 10 anni di esperienza nel settore dei giochi online, abbiamo aiutato migliaia di commercianti trovare un legittimo opzioni binarie broker e noi faremo lo stesso per voi. A proposito del Broker Top binari per essere elencati qui ci sono quattro cose fondamentali che il broker deve avere. Reputazione positiva (onesto, legittimo, giusto e degno di fiducia) per 1 anno Track record di consistenti prelievi effettuati versamenti competitivi piattaforma di trading di qualità il fattore più importante che cerchiamo è un broker con un track record di rapporti affidabili per almeno 1 anno. La reputazione è re. La ragione per cui abbiamo bisogno di un minimo di un anno a causa di regola il settore delle opzioni binarie è giovane. E 'solo ora maturando sufficiente per abbattere la stragrande maggioranza dei cattivi broker da quelli buoni. Fino ad oggi per 2017 (ora aggiornato) La buona notizia è che l'industria ha maturato abbastanza per i leader di mercato per emergere. Non è così ombroso come era una volta. Oggi, avete una scelta tra un paio di broker diversi che ci si può fidare per darvi una esperienza di trading equo. Questo significa che le scelte di qualità per voi come un commerciante. Ancora migliore notizia è che c'è forte concorrenza per il vostro business da un gruppo selezionato di legit broker di opzioni binarie. La competizione per il vostro business li porta a offrire fx di deposito lucrativo, servizio clienti stellare e superiori vincite medie su tutta la linea. In breve, la concorrenza è una buona cosa per i commercianti. Broker Valutazioni 8211 esperienza, ricerca amp Traders Commenti commercio ai Migliori Broker Opzioni Binarie online Abbiamo aiutato migliaia di commercianti, proprio come si trovano un broker di opzioni binarie per il commercio a. Se siete nuovi di zecca al trading on line, o se si sta cercando di tentare la fortuna con un broker legittima, il nostro sempre aggiornato migliori broker di opzioni binarie liste vi guiderà al broker destra. Non importa se si sta cercando il miglior broker di opzioni binarie Stati Uniti gli operatori possono utilizzare o se siete alla ricerca per il quale broker hanno 60 secondi opzioni. Le nostre liste top vi aiuterà. Per aiutarci a mantenere le nostre liste migliori fino ad oggi, incoraggiamo il tuo feedback 8211 aiuta altri scelgono dove al commercio. La nostra esperienza può essere diverso dal vostro così il vostro feedback e input è prezioso. Abbiamo creato un documento Google in cui è possibile lasciare il vostro feedback 247 su uno dei broker di opzioni binarie sopra elencati completamente anonimo. Fiducia e sicurezza Definiamo fiducia come questo è un broker che vorremmo stare tranquillo depositare i nostri soldi guadagnati duri in. Siamo particolare su chi ci sarà depositare presso perché l'industria trading di opzioni binarie ha visto la sua giusta quota di truffe nel corso degli anni. Mentre abbiamo fiducia questi siti stessi, non è mai un sostituto per fare il proprio dovuta diligenza e fare in modo che si è personalmente agio con il broker prima di depositare i soldi. Per la parte di sicurezza lavoriamo con i broker che utilizzano l'ultima di sicurezza a 128 bit per il deposito e ritiri. Lavoriamo solo con intermediari che sono stati in attività più di 1 anno e hanno un track record di pagamenti tempestivi, commerci equi e un servizio clienti reattivo e non sono in alcuna delle liste truffa opzione mediatore binari. BestBinaryOptionsBrokers è stato creato per aiutare i commercianti proprio come te trovare un posto di alta qualità per il commercio opzioni binarie. Abbiamo oltre 10 anni di esperienza nel settore e più siti web che caratterizzano trading di opzioni binarie. Abbiamo costruito questo sito per aiutare gli operatori di evitare i siti pericolosi e trovare quelli buoni. Abbiamo rango e rivedere i migliori broker di opzioni binarie in base a una serie di fattori importanti. La cosa più importante che cerchiamo è un broker affidabile. Elenchiamo broker che si trovano ad essere legittimo, affidabile e sicura. Questo non significa che non si può perdere soldi lì. Significa solo che si otterrà un commercio equo e riscossioni tempestive. Le opzioni binarie sono rischiosi per conto loro e si può perdere denaro. Tuttavia si possono fare soldi come bene e si può fare un sacco di esso se sei bravo o fortunato. Finché si sta operando in un broker legittimo che sia. Abbiamo anche uno dei pochi broker U. S.A regolato dalla CFTC. Che è Nadex. Abbiamo tariffa più aree di ogni broker per aiutarvi a trovare dove al commercio. Testiamo i loro processi di deposito e prelievo e fare in modo che essi sono efficienti e hanno una storia di lavorare correttamente. Sulla nostra home page è possibile visualizzare il nostro breve elenco di binari siti opzioni commerciali. Questi sono la crema del raccolto e la metà superiore della nostra lista complessiva top 10 opzioni binarie broker. Aggiorniamo liste specifiche di categoria su base mensile al minimo. Questi dati sono utili sia per i nuovi e intermedi opzioni operatori binari. operatori avanzati hanno da tempo deciso il miglior broker di opzioni binarie per loro. Le migliori broker di opzioni binarie Aiutare opzioni binarie commercianti trovano i migliori broker di opzioni binarie del 2017. Migliori Opzioni Binarie Brokers Scritto da: BestBinaryOptionsBrokers Data di pubblicazione: 12032014 Solo i leader delle opzioni binarie broker rendono al nostro breve elenco dei migliori siti di opzioni binarie di trading. Scopri perché e vedere quali opzioni binarie broker sono i migliori del 2015 nuovo a Opzioni Binarie Trading 8211 Dove iniziare a fare trading di opzioni binarie è stato descritto come forex semplificata. È facile scambi di progettazione, con l'una o l'altra scelta e l'una o l'altra vincita. operatori inesperti possono vincere, e se da una striatura calda si può vincere alla grande in un breve periodo di tempo. Fair Warning, vincendo nel lungo termine richiede abilità, dedizione e corretta esecuzione di gestione del rischio. Visita la nostra 1 broker nominale, 24option oggi per iniziare a un broker di opzioni binarie regolamentato, legittime e concesso in licenza opzioni binarie di responsabilità BestBinaryOptionsBrokers ha rapporti finanziari con alcuni dei prodotti e servizi menzionati in questo sito, e può essere compensata se i consumatori scegliere di cliccare su i nostri contenuti e di acquisto o di firmare per il servizio. - Trading binario comporta rischi significativi. Mai investire più di quello che può permettersi di perdere. Questo sito non è un consiglio finanziario o qualsiasi offerta di consulenza finanziaria. Questo sito è per scopi di intrattenimento e di informazione. Con l'utilizzo di questo sito l'utente accetta di tenere noi 100 inoffensivo per qualsiasi perdita. Cliccando sul link a siti esterni può comportare reddito di affiliazione per gli editori di questo sito. (AVVISO) - Questo sito non è un sito di trading binario e non è di proprietà di una società di opzioni binarie. Siamo informativo e solo divertimento. Nessun commercio è offerto o sollecitata da bestbinaryoptionsbrokers USA REGOLAMENTO AVVISO: Opzioni binarie Le aziende non sono regolamentate negli Stati Uniti. Queste aziende non sono regolamentati, gestiti, collegati o affiliati a una qualsiasi delle agenzie di regolamentazione, come la Securities and Exchange Commission (SEC), Commodity Futures Trading Commission (CFTC) o National Futures Association (NFA), o qualsiasi altro organismo di regolamentazione degli Stati Uniti. Si prega di prendere nota che qualsiasi attività di negoziazione non regolamentata dai brevetti cittadini è considerata illegale. Commercio a proprio rischio. Esplicito sui rischi: bestbinaryoptionsbrokers non accetta alcuna responsabilità per perdite o danni a seguito di affidamento sulle informazioni contenute all'interno di questo sito questo include contenuti di formazione, esempio le citazioni e grafici, e le notizie. Si prega di essere consapevoli dei rischi inerenti con trading di opzioni binarie e negoziazione dei mercati finanziari mai investire più denaro di quanto si può rischiare di perdere. I rischi di trading di opzioni binarie sono alte e potrebbe non essere adatto a tutti gli investitori. Migliori opzioni binarie broker non trattiene alcuna responsabilità per eventuali perdite di trading si potrebbe affrontare come risultato di utilizzando le informazioni pubblicate in questo sito. Le citazioni contenute in questo sito non sono forniti da scambi, ma piuttosto dai market maker. Così i prezzi possono essere diversi dai prezzi di scambio e potrebbero non essere precisi a prezzi di scambio in tempo reale. Vengono forniti come guida alla negoziazione, piuttosto che per scopi di negoziazione. copy2017 migliori broker di opzioni binarie 2016EZTrader respinto guai Sindacale EZTrader continuano in quanto la società respinge Ziv Haft, i Dottori Commercialisti con sede in Israele, e una società membro BDO. EZTrader respinge revisori è l'ultimo annuncio depositati presso la US Securities and Exchange Commission sa di un animale ferito impotente scaglia in agonia. La spinta del rilascio hellip Volumi binari giapponesi fare un bagno giapponese volumi di opzioni binarie in calo del 21 mese-su-mese come Brexit caos calma e le vacanze estive spadroneggiare. volumi binari giapponesi è sceso da 44.6tr in luglio a 35tr nel mese di agosto come il Brexit dopo shock dissipate e le vacanze estive tenute influenza. Il grafico a barre seguente mostra i volumi mensili hellip Focus sulla Banca d'Inghilterra politica monetaria binario quotidiano Financial Review 15 set 2016 Relazione Mattina: 09.00 Londra Markets sarà guardando la Banca d'Inghilterra a stretto contatto oggi, con il MPC impostato per rilasciare l'ultima guida su interessi aliquote. Nessun cambiamento è previsto, in modo che il vero l'attenzione sarà su proiezioni economiche avanti. La sterlina hellip 14 mercati degli occhi UK occupazione binario Daily Review finanziaria settembre 2016 Mattina Report: 09.00 London Questa mattina, la sterlina britannica è leggermente superiore dopo la vendita pesante di ieri. UK PPI, RPI e HPI tutto è venuto a di sotto delle aspettative, ammaccature timori di un'esplosione dell'inflazione a seguito della svalutazione libbra Brexit ispirato. Tutti gli occhi sono ora sul conteggio ricorrente hellip dollaro australiano inciampa Nonostante la Cina dati binari quotidiano Financial Review 13 Settembre 2016 Relazione Mattina: 09.00 London Questa mattina, il dollaro australiano è in ritardo, nonostante i dati economici cinesi in gran parte in linea. Il AUDJPY sta estendendo la sua corsa perdente, mentre l'AUDUSD ha invertito i guadagni di ieri. Il NZDUSD è scambiato più basso in simpatia. Il dollaro è sul hellip Sono EZTrader Trading Insolvently EZTDs conti per l'anno-End 2014 e 2015 erano entrambi qualificati. I primi sei mesi dell'anno in corso ha visto a generare una perdita ante imposte di 8,3 milioni. Sono busto Are EZTrader insolvently negoziazione al 31 marzo 2016 EZTDs contanti amp liquide pari a 2.275m ancora per i tre mesi che si concludono TechFinancials hellip Condividi Prezzo Massimo 20 su H1 Relazione Il 29 luglio TechFinancials8217 prezzo delle azioni crollato a 8.5p, ma ora sul rilascio del loro rapporto di H1 2016 le azioni sono ora scambiato a 15.5p mezzo, un assalto 82 l'esecutore principale che guida la TechFinancials quota di prezzo fino è stata la divisione B2C dove DragonFinancials ha iniziato attese Dollaro hellip sul FOMC binario quotidiano Financial Review 12 settembre 2016 Mattina report: 09.00 London Questa mattina il dollaro attende sul FOMC con i mercati restante attenti a quello che potrebbe essere una spettacolare settembre dalle FOMC. La maggior parte degli analisti si aspettano nessun cambiamento, ma qualsiasi movimento inaspettato potevano vedere il razzo dollaro. Il dollaro ha sparato alto sul dollaro hellip Estende Advance dopo Fed vertice binario quotidiano Financial Review 30 agosto 2016 Mattina Relazione: 09.00 Londra Il dollaro estende anticipo come il rally iniziato il Venerdì dopo le unità del vertice di Jackson Hole inseriti in questa settimana. Commenti degli Fed Yellen presidente e vice presidente Fischer hanno fissato il dollaro impennata sulla prospettiva di un hellip volumi binari giapponesi migliorare volumi Brexit interesse giapponesi fornire una spinta tanto necessaria quanto rimbalzano bassi volumi record. L'incremento è attribuibile alla Brexit come GBPJPY stato il più grande motore. volumi binari giapponesi migliorare come vengono fuori dal basso set di record a maggio. Brexit ha fornito un colpo al braccio con hellip

Tre Black Crows Llc

L'aumento Tre metodi di definizione di Rising tre metodi Un modello rialzista a candele che viene utilizzato per prevedere la prosecuzione del trend rialzista in corso. Questo modello si forma quando i candelabri rispondono alle seguenti caratteristiche: 1. La prima candela nel modello è una lunga candela bianca all'interno di un trend rialzista definito. 2. Una serie di piccole decrescente corpo candelieri che il commercio all'interno della gamma della prima candela. 3. Una lunga candela bianca crea un nuovo massimo, il che suggerisce che bullish sono tornati in controllo della direzione. SMONTAGGIO aumento Tre metodi La serie di candelieri piccole-bodied sono considerati come un periodo di consolidamento prima che il trend rialzista è in grado di continuare. Questo modello è importante perché mostra i commercianti che i venditori ancora non hanno abbastanza convinzione per invertire la tendenza ed è utilizzato da alcuni operatori attivi come un segnale per aggiungere alla loro canzone positions. This è un commento fama. Con la linea, quando tutti mi ama, non sarò mai solo, piombo firmatario Adam Duritz sta affermando - con più di un tocco di sarcasmo - che la fama farà tutto meglio (non essere mai soli si ripete di guidare a casa il messaggio: Questo ragazzo è delirante). Quando è diventato il primo colpo per la band, Duritz fu improvvisamente riconosciuta in tutta l'America, che ha trovato sconcertante. La notorietà ritrovata lo mandò in un funk prolungato improvvisamente si trovò a cantare una canzone che parla di sogno della fama quando era molto amareggiato. Con la canzone di risonanza suoi problemi, è venuto a restio cantarla. Duritz smise di scrivere per oltre un anno, e il Counting Crows secondo album, recuperando i satelliti. non era rilasciato fino a tre anni dopo il loro debutto. Guardando indietro sulla canzone nella nostra intervista del 2013 con Adam Duritz. ha spiegato che anche se è sciocco pensare che l'adulazione della fama risolverà i vostri problemi, la sua difficile resistere. Detto Duritz: Youre supposto per vedere attraverso quel ragazzo: quando tutti mi amano, Ill mai essere sola. Youre suppone che quello non è vero. Per prima cosa, non c'è nessun una cosa come tutti mi amano. Nessuno ti conosce in quel caso. Così ho saputo che non era sta per accadere in quel modo. Ma si vuole ancora che: vuoi la vita sia più facile, si vuole essere una rock star così è più facile parlare con una ragazza. La sua stessa persona folle seduto lì con la ragazza più tardi, però. Così si pretende molto sistemare le cose. Mr. Jones è Marty Jones, un amico di cantante Adam Duritz. Prima di Duritz unito Counting Crows, erano in una band insieme chiamato Himalayans. Questo è stato scritto dal cantante Adam Duritz e il chitarrista David Bryson (gli altri tre membri della band anche ottenuto crediti compositore). Su un episodio di VH1s Storytellers. Adam ha spiegato: E 'davvero una canzone che parla il mio amico Marty e I. Siamo andati fuori una notte a guardare il suo gioco padre, suo padre era un chitarrista di flamenco che ha vissuto in Spagna (David Serva), ed era a San Francisco nella missione giocando con la sua vecchia compagnia di flamenco. E dopo il concerto siamo andati tutti a questo bar chiamato il New Amsterdam a San Francisco il Columbus e abbiamo ottenuto completamente ubriaco. E Marty e mi sono seduto al bar a guardare queste due ragazze, desiderando ci fosse un modo che potremmo andare a parlare con loro, ma eravamo troppo timidi. Abbiamo mantenuto scherzando con l'altro che se fossimo grandi rock star, invece di perdente, musicisti a basso budget, questo sarebbe facile. Sono andato a casa quella notte e ho scritto una canzone su di esso. Io scherzo su ciò che la sua circa, quella storia. Ma è davvero una canzone su tutti i sogni e tutte le cose che ti fanno venir voglia di andare a fare qualunque cosa sia che afferra il cuore, se il suo essere una rock star o essere un medico o altro. Queste cose eseguito da tutta questa roba che ho repressa dentro di me mi vogliono incontrare ragazze perché sono stanco di non essere in grado di farlo. Si tratta di un sacco di queste cose, i suoi circa tutti quei sogni, ma la sua anche un po 'di cautela, perché la sua su come sbagliata si può essere su alcune di queste cose e di come cava possono essere troppo. Come il personaggio della canzone continua a dire, quando tutti mi ama non sarò mai solo, e tu sei supposto sapere che quello non è il modo in cui la sua gonna essere. Sapevo che anche allora. E questa è una canzone dei miei sogni. Duritz poi rivelato che il ragazzo al bar che si stava ragazze era Kenney Dale Johnson, che era il batterista Chris Isaak. Un sacco di gente pensò il signor Jones era un riferimento a un personaggio della canzone Ballad Bob Dylan of a Thin Man. Dylan è menzionata la linea che voglio essere Bob Dylan, Mr. Jones vorrebbe fosse qualcuno un po 'più funky. I Beatles ha menzionato personaggio Bob Dylan nella loro canzone Yer Blues. La linea è Sentire così suicida, proprio come Dylan Mr. Jones. Adam Duritz: Questa è una canzone che è stato male interpretato notevolmente, per non dire altro. Penso che la gente troppo spesso cercano simbolismo nelle canzoni quando theyre più semplice di quello che sembrano. Ciò, in particolare, è molto più semplice possa sembrare per molte persone. Ho sentito tutto, da esso che è di qualche uomo antico azzurri che mi ha insegnato a suonare la musica, che è completamente ridicolo, ma come somebodys film di fantasia. Ive ha anche sentito la sua circa il mio cazzo, che è ancora più ridicolo. Quando abbiamo fatto l'intervista per Rolling Stone. Ho camminato con David Wilde nel Musée d'Orsay di Parigi un giorno e la prima cosa che è successo è stato questi due ragazzi correvano fino a noi e ha detto, Hey Youre il ragazzo da Counting Crows, giusto E io ho detto, sì. E ha detto, è il signor Jones sulla tua cazzo volevo uccidere il ragazzo perché sapevo dove che stava per finire, che è il primo paragrafo dell'articolo su Rolling Stone. Questo è stato il primo singolo rilasciato da Counting Crows e anche il loro più grande successo. Il nome della band si riferisce ad una frase Counting Crows che significa inutile, come in, che è quanto di più inutile come Counting Crows. credito Suggerimento: Robb - Pittsburgh, PA Tutti i membri della band sono grandi fan del gruppo Big Star. Quando si esegue questa canzone il Sabato Night Live. Duritz cambiato la linea Voglio essere Bob Dylan di I Wanna Be Alex Chilton. Alex Chilton è il frontman per Big Star, e Alex Chilton era il nome della canzone di The Replacements. Nella canzone Replacements si riferivano a lui come un uomo invisibile, con una voce molto visibile. credito Suggerimento: Steve - Chino Hills, CA Questa canzone si riferisce a una donna che danza di nome Maria: Tagliare Maria, mostrami una di queste danze spagnole. Questo personaggio appare in molte delle loro canzoni. Lei è il soggetto principale del loro secondo singolo, Round Here: Maria dice shes morire, attraverso la porta di casa la vedo piangere, e Maria è venuto da Nashville con una valigia in mano. Nel signora Potters Lullabye, Duritz canta, C'è un pezzo di Maria in ogni canzone che canto. Lei è anche menzionato sul scrivendo sulla copertina di agosto e tutto Dopo sfondo. L'identità di Maria non è mai stato rivelato, che porta molti a credere che lei non è una persona reale, ma un simbolo per la solitudine, il desiderio, o qualcosa di simile. credito Suggerimento: Alden - College Park, MD Come molti grandi successi della metà degli anni '90, questa canzone non è stata rilasciata come singolo in America, che lo tenne fuori la Billboard Hot 100 chart, ma ha fatto sì che i fan avrebbero dovuto acquistare l'intero album di sentirlo. Lo stratagemma ha funzionato, con le vendite del mese di agosto e tutto Dopo topping 7 milioni. La canzone ha raggiunto 5 della Billboard chart s Airplay, che è stato integrato nella Hot 100 nel 1998. Altre canzoni di successo dell'epoca che cortesi rilasciato come singoli includono Dont Speak di No Doubt e Torn di Natalie Imbruglia. Duritz è stato accusato di sollevare il sha-la-la-la-la da Van Morrison classico Brown Eyed Girl. che è lontano dalla verità, ha detto a Entertainment Weekly. Ive ha ottenuto un sacco di questo Flack, ha detto. Ho buttato una sha la la come una battuta sul record. La prossima cosa che so Im la seconda venuta di Belfast Cowboy un soprannome Morrison. Io non farlo. Posso vedere dove ho imparato da suo canto. Ma tutti questi altri scrittori saltare su di essa come un punto di riferimento facile. Commenti: 59 Ho sempre pensato di Mr. Jones come il tipo sinistro. Sai quello whos un migliore amico e ha quello che si potrebbe chiamare le migliori intenzioni ma aiuta o ti permette di trarre in inganno destra Obiviously ha un senso spirituale o metafisico con i testi Mr. Jones e mi guardano verso il futuro e raccontano l'un l'altro fiabe. in gran parte il suo come il buon tizio viaggio su Dio e significati Ricky Nelson credo in una misura. quando tutti mi ama non sarò mai così soli che dire di fare yall amarvi abbastanza per rendersi conto che nessuno sta andando essere soli. il timore segreto di tutti è essere soli. la sua come la glicerina canzone dallo stesso periodo di tempo da Bush. viviamo in una ruota dove tutti ruba quando ti rendi conto suo come Strawberry Fields. Niente diritto di ottenere appeso su Living destra è facile con gli occhi socchiusi, fraintendendo tutto ciò che vedi. La sua sempre difficile essere qualcuno, ma tutto funziona. John Doe - Tulsa, OK Qualcuno sa nulla circa i cantanti di back-up che può essere ascoltato nella seconda metà della canzone Grande disposizione delle loro voci. Una canzone senza tempo. Bocknobby - Toronto, On Lasciatemi prefazione questo commento con la seguente dichiarazione: ho capito che questo non era il significato inteso dall'autore, è solo come la canzone mi parla. Detto questo, qui va niente. Sono stato di recente alla ricerca di fede, e riconoscendo che le mie credenze sono debolmente svolgono al meglio. Sto disperatamente cercando di trovare la verità, ma sono costantemente distratto dai miei desideri mondani e anche se mi sento spesso che il Signore parla a me, nella mia arroganza mi finiscono per cercare di prendersi il merito per la sua gloria. Questa canzone si sente come quella storia per me. Ero seduto in un bar con un drink e lusting dopo che una donna, quando lo spirito di Gesù (Mr. Jones) inizia a parlare al cuore di una donna di nome Maria (Maria). Comincia a ballare come Mr. Jones padre (Dio) suona la musica (chitarra) per lei, e improvvisamente mi riconoscono come spiritualmente bella lei è - e mi auguro che ho potuto essere così bello. Così ho lotta con il silenzio nella mia mente (l'assenza dello spirito santo in vita mia) per tutta la notte fino all'alba metaforico (la realizzazione che ho bisogno di Cristo nella mia vita). Quindi chiedo a Maria di continuare a ballare per me, in modo che possa imparare a imitare il suo gioioso abbandono nel Signore; e chiedere a Gesù di passarmi la bottiglia (mi riempiono con lo Spirito Santo). Vi prego Dio che credono in me, perché mi rendo conto che io non credo veramente in nulla (me compreso), e voglio essere qualcuno che crede. Gesù ed io camminano insieme e parlare di cose che penso io credo (favole), e noi guardano le belle donne, egli a loro spiriti, io a loro corpi. Il mio istinto mi dice che theyre guardando a Lui, ma la mia arroganza dice di no, no - theyre guardarmi. Fisso nelle luci provenienti da due direzioni diverse (le luci fisiche delle cose del mondo, e la luce spirituale della Verità di Dio), so che quando tutti ti ama (Cristo) non potrà mai essere di nuovo sola. Dipingo l'immagine della mia vita, io dipingo me stesso in blu (tristezza) e rosso (la rabbia) e nero (il buio, il male potenziale) e grigio (potenziale di bene, viziata dalla mia natura peccaminosa). So che tutte queste cose sono necessarie per la mia crescita nella vita, e sono quindi significativa e bella, ma grigio (il mio potenziale di bene) è il mio aspetto preferito di me stesso. So che se devo stare davanti alla gente e parlare, che sarò un simbolo per loro, ma io non sono ancora in grado di fare ciò che è giusto. Se potessi, avrei trovato qualcuno che fosse in grado di vedere la bellezza della creazione attraverso il caos della realtà e imparare da loro (come un Picasso), se potessi fare che vorrei stare in piedi di fronte a Dio e di tutti e il gioco che chitarra, mentre ancora ricordando la mia imperfezione. Gesù ed io, guardare al futuro della mia vita, fissiamo le belle donne (come sopra) e ancora una volta cerca di prendersi il merito per la sua gloria. Im in piedi di fronte alla folla (sotto i riflettori), ho finalmente so parlare correttamente (la mia chitarra grigio), ma non riesco ancora una volta perché cerco di prendere di nuovo il credito dicendo che quando tutti mi ama, non sarò mai solo non sarò mai solo non Im mai gonna essere, solitario più cerco di convincermi che io sarò quello di farmi felice, più mi rendo conto che esso arriverà solo attraverso Dio. Voglio disperatamente di dire la verità con vera autorità (come un leone), sembra che tutti intorno a me si accontenta di passare come gatti (solo l'aspetto di autorità), noi tutti vogliamo essere ottimo - è nella nostra natura cercare grandezza - ma tutti noi abbiamo diversi motivi (alcuni per aiutare se stessi, alcuni per aiutare gli altri, un po 'a servire Dio). Ancora una volta chiedo a Dio di credere in me, perché ho ancora dont fermamente nella libertà di Cristo (come evidenziato dalla mia incapacità di continuare a dargli il credito per le mie benedizioni), e voglio essere qualcuno che la gente può credere. Gesù ed io a piedi per le strade sporche della Bario insieme, stiamo continuando a fissare le belle donne, ma ora ho finalmente vedere che essi sono perfetti per Cristo, e so che ci deve essere qualcuno giusto per me. Voglio essere un narratore che tocca la vita delle persone (come Bob Dylan), Cristo vuole Era qualcuno un po 'più funky (così tante persone immaginano Cristo come teso, ma cammina con noi anche attraverso i quartieri della nostra vita), Dio dice lui (ah, Son) che Egli è come funky come si arriva, perché tutti lo ama. Cristo e guardo il video della mia vita insieme, quando io lo guardo con Lui, voglio essere in grado di guardare a destra in miei occhi a guardare indietro senza vergogna. Noi tutti vogliamo essere ottimo - noi non basta sapere come farlo, o anche per questo che vuole, ma quando divento come Cristo, e tutti mi ama, Ill finalmente felice come posso essere. Gesù ed io, stavano per essere grandi stelle. Spero che questa interpretazione doesnt offendere anyone - Non intendo questo. Spero che se siete in cerca come me che questa canzone parla di voi come profondamente come ha fatto per me e vi aiuta nel vostro cammino. Keith - Goose Creek, Sc Ho sempre visto questa canzone come avente un significato più profondo e che lo scrittore detesta che è un po 'sconfortante. Indipendentemente da ciò, non penso che gli artisti si è necessariamente più valido di un ascoltatori così malato dare il mio introito: La canzone è per lo più semplice, quasi l'aspirazione, e la consapevolezza che la vita è più di successo professionale. Ma ho anche capito l'atmosfera che hes commentando Dio tramite Mr. Jones. Non posso scelgo il motivo per cui, questo è solo come lo interpreto. Kyle - St. Louis, Il um. maria è un nome spagnolo. flamenco è lo spagnolo. quindi se maria è sempre nelle loro canzoni perché non rendere il suo il nome del ballerino. e suo padre a suonare la chitarra è Adams amici padre giocare mentre bevevano. duhhhh Liv - Long Island, NY Grande song. This intero album è great. I prima entrato in corvi intorno 1996. Molti anni prima avevo preso un paio di lezioni di chitarra, ma non ho mai veramente bloccato con it. I preso la mia chitarra di nuovo nell'estate del 96 e una canzone sentivo molto è stato il sig Jones. I rendersi conto che era stato rilasciato 3 anni prima, ma perché ora ero di nuovo nel suonare la chitarra ho notato più ogni volta che è venuto sul radio. I amato il ritmo di questa canzone. Con quella caduta avevo imparato il chords. This è stato uno dei pochi brani che avevo mai imparato solo con l'ascolto di esso. Una volta ho imparato le corde il ritmo è quello che avevo praticato most. I hanno ora visto lezioni per questa canzone su internet e spesso volte che giocano su un guitar. This canzone acustica è riuscita a acustica ma suona meglio quando gioca come è l'album con una chitarra elettrica utilizzando un tone. This pulite è una delle migliori canzoni del 90s. What un grande album troppo. Brian - Boston, Ma non so se questo è già stato pubblicato, ma il quotNew Amsterdamquot è ora chiamato il quotInternational Sport Clubquot e si trova a 1000 Columbus Avenue (intersezione con Taylor Street) a San Francisco. CA. A quanto pare fanno un ottimo happy hour con birra a buon mercato. Seduto nel sedile Adam Duritzs è opzionale. Gazza - Buenos Aires, Argentina persone, una domanda sulla frase: danze quotShe mentre suo padre gioca guitar. quot - il cui padre stanno parlando Wasnt si suppone che sia fatherquot quother In un primo momento ho pensato che la ballerina di flamenco potrebbe essere il figlio di questa quothis fatherquot, ma poi il signor Jones non sarebbe parlare con un ragazzo, giusto in modo la ballerina di flamenco è una ragazza (anche a causa di thequotShe danze while..quot). Qualcuno può aiutarmi a capire il cui padre è la canzone parla di Mr Jones padre. Heloisa Argentina - Crdoba, Argentina Dio questa canzone diventa veramente vecchio argilla veramente veloce - Henagar, Al ho pensato che il signor Jones era una bevanda nella canzone. Xavier - Schenectady, Ny Beh, qualunque cosa si sceglie, il nome, il signor Jones è un comune nome - un nessuno. Un nome comune sarà somettimes essere cambiato quando una persona raggiunge la fama e la musica stessa a volte trasforma il nome quando l'uomo beocmes un famoso musicista. A volte il musicista manterrà il proprio nome, ma molto spesso si cambia dopo heshe raggiunge la fama. O raramente è ogni singolo nome di membri della band è nota. Ad esempio, sappiamo che il gruppo che ha giocato la canzone come quotCounting Crowsquot, ma ancora non si poteva dire ogni indvidual membri della band name.- Speranza che aiuta. Ciad - Wilmington, DE Per lungo tempo, ho pensato che il signor Jones era una metafora della solitudine. Ancora una grande canzone Brad - Topeka, Ks Heres un blog abou le caratteristiche New Amsterdam nella canzone: frazing. wordpress20081217google-Streetview Fraser - Stirling, Regno Unito penso che sia chiaro che questa canzone parla i tempi in cui pensare che se si sarebbe ricco Andor famosi, si otterrebbe tutto nella vita ciò che desideri. Tutti coloro che sostiene di essere af fan Counting Crows sa che la cantante presto scoperto che questo non era il caso. Ecco perché, nelle versioni dal vivo, i testi cambiano ogni volta, depening sul suo stato d'animo. Gen - Anversa, - Im un po 'depressa che il signor Jones è solo un amico ha ubriacato con in un bar. Ho sempre pensato che il signor Jones era un eufemismo intelligente per envyy e desiderio come a Im Jonesn di qualcosa o di tenere il passo con la Jones. In Jr. liceo ho avuto un amico che avrei svignarsela e fumo di sigarette con e lui diceva sempre Im Jonesn per un uomo di fumo Im Mr. Jones oggi. Per rispondere a un altro post, ci sono diverse buone canzoni che parlano di eroina, anche se questo non è uno. Dead Flowers dalle pietre è il mio preferito, ma CCKMP da Steve Earle, Bianco merci Liner da Townes Van Zandt e l'ago e il danno fatto da Neil Young sono alcuni altri. Steve - Charlotte, Sc Maria è quello di Adam Duritz come Maria è a Bruce Springsteen. Ekristheh - Halath, Stati Uniti Stuart, non so la canzone Nazareth lei ha fatto riferimento a, per cui il suo possibile che le linee Così si vuole essere una stella rocknroll Basta ascoltare subito a quello che dico Procuratevi una chitarra elettrica e richiedere un certo tempo e imparare a gioca appaiono in esso, ma quelle linee sono della canzone So You Want To Be a rock and roll Star di Byrds. La sua possibile che Nazaret stava citando quella canzone. Michael - Pittsburgh, Pa ok, così come cavolo potrebbe questa canzone sia circa un ding dong questo è ciao Gesù solo strano, ive noto questa canzone per sempre e il modo in cui io interpreto è questo: un ragazzo ha un amico questo è kewler di lui ed entrambi voglio essere famoso e ottenere le ragazze, so che ce n'è più modi una canzone può essere interpretata, ma sul serio, un pene Sierra - Grand Forks, Nd realtà ho incontrato Marty Jones durante la scrittura di un articolo di giornale sulla ricerca di Maria. Era un ragazzo davvero cool che racconta lo sfondo di Mr. Jones nella storia: 801mag. orgcsContentServerchildpagename801Mag2FJRNContentC2FArticleDetailcJRNContentCp1165270039399pagenameJRN2F801Wrappercid1175372067481 Steve - New York, NY La voce di Counting Crows cantante Adam Duritz è un magnifico strumento. Mr. Jones ha introdotto gli appassionati di musica di Duritz sorprendente facilità alla narrazione nel contesto di una canzone. Basta provare a cantare insieme a Mr. Jones e dopo aver finito senza fiato, ci si rende conto di quanto fenomenale questa performance è. Bertrand - Parigi, Francia Ive appena registrata solo per protestare contro un commento scritto WAY sopra: Un doesnt canzone ha bisogno di essere complesso per essere buono. Basta guardare Rick Nelson Garden Party. grande rock n roll semplice e puro, ma Flippin. - Tony, Boston, MA Il punto di autori è stato quello di dire come ci Non deve essere un significato più profondo di una canzone per renderla bene (che sono d'accordo con, comunque mi piace testi significativi), ma purtroppo l'esempio di giardino lavoro del partito pretende molto - festa in giardino è ricco di significati nascosti. Il suo tutto su come disilluso Rick Nelson è stato quando ha giocato un concerto e nessuno era interessato nel suo nuovo materiale, la sua realtà non di andare a una festa in giardino a tutti il ​​suo ricco di metafore e riferimenti Ma torniamo a Mr. Jones, amo quella canzone , un successo in tutto il mondo, ho anche sentito che di tanto in tanto nei club in Spagna quando ho vissuto lì, e che era 2001-2005 posso credere ppl pensato che fosse sul suo pene, io non anche ottenere come dovrebbe funzionare Charlie - Durham, Inghilterra questa canzone non era eliminare perché un sacco di persone che amano ancora questa canzone so che faccio mi è stata sollevata fuori dalla Counting Crows. Natalie - Chiago, Il Io non so voi, la gente, ma mi piace questa canzone. J - Jackson, Ga Non posso credere che il depliant canzone sulla sua (soppresso). Ho seriamente pensato che negli ultimi 13 anni. Cory - Morden, Canada Anche se si tratta di Marty Jones in questa canzone, Bob Dylan signor Jones si dice di essere Brian Jones dal Rolling Stones Ty - Indianapolis, IN Se si ascolta la versione sul Attraverso Un filo - Live in Nuova album York, la canzone inizia con i testi Così si vuole essere una stella rocknroll Basta ascoltare subito a quello che dico Procuratevi una chitarra elettrica e richiedere un certo tempo e imparare a suonare. Questi testi sono presi in prestito direttamente dal Nazareth canzone Telegram. Stuart - Liverpool. Inghilterra Ognuno va avanti su Maria di essere una persona reale, ma Adam Duritz dice chiaramente che shes non Shes solo scopo di rappresentare le ragazze. Ma lei non affiorano in un sacco di canzoni, e il testo sulla copertina dell'album è la canzone August and Everything After cui solo viene giocato dal vivo. Nicole xx Nicole - Derby, in Inghilterra aw questa canzone è così carino ed i testi sono smussato in modo smettere di cercare di interpretarli Kayla - Cary, Nc questa canzone è cantata anche da Hidden in Plain View, ma la sua non in uno qualsiasi dei loro cd che hanno fatto. Stephanie - Moreno Valley, CA Questo è solo uno di quei grandi canzoni che sarà sempre essere prese fuori contesto. Adam Duritz ha scritto questa canzone come un ricordo di una conversazione divertente lui e il suo amico, Marty (Mr.) Jones ha avuto una volta in un bar. Semplice come quella. Niente di più, niente di meno. Un doesnt canzone ha bisogno di essere complesso per essere buono. Basta guardare Rick Nelson Garden Party. grande rock n roll semplice e puro, ma Flippin. Tony - Boston, Ma Per impostare questo diritto, l'idea è quella di ottenere molti pulcini e amici o qualsiasi altra cosa per diventare famosi, come essere in una rock band o qualcosa del genere. Grande canzone con i grandi testi, facile da giocare su una banda. Jo-c - Lima, Perù credo che questo commento eroina ripetuta è uno scherzo. Appare nel campo dei commenti di quasi ogni canzone che ho ricercato su Songfacts. Se qualcuno dovesse pubblicare il songfact per Veni, Creator Spiritus o la sorella Janet Meads Il Lord preghiera, qualcuno sarebbe assicurarsi di non commentare Totalmente una canzone di eroina. Almeno, questo è come mi pare. Ekristheh - Halath, Stati Uniti vi consiglio di tutti coloro che amano la musica cantata da Adam e sostenuta dalle belle tempraments della band stessa è meglio sentire attraverso Across A Wire - Live in New York City. Come Adam ha detto migliore tra le canzoni stavano giocando alcune di queste canzoni elettriche perché theyve cambiato così tanto e perché penso che sappiamo veramente come giocare adesso. Quindi, se si desidera ascoltare il significato delle canzoni che ami (soprattutto Mr Jones) l'album racchiude tanto dell'intenzione corrente. Si può effettivamente sentire la sua voce trema per l'emozione e approfondire con sentimento, può essere solo la mia immaginazione, ma io in realtà può sentire tutto quello che vogliono veramente dire. Mi piacerebbe vedere molti più album come questo. Per quanto riguarda il signor Jones, perché si mettere una canzone di detrament spiegando attraverso nominarlo suo cazzo o atributing grande creatività ai farmaci, lascia che sia ciò che è e trovare la bellezza nelle immagini che crea. Alla fine della giornata penso che il INTERPRETAZIONE dice di più sulla persona interpretandolo rispetto alla persona canzone whos che effettivamente è. Lisa - Perth, Australia ho sempre pensato che la canzone era di circa il suo pene. Cherie - NY, NY sono d'accordo con chi ha detto che questa è una di quelle canzoni che sono grandi perché si può mettere le tue esperienze nella canzone. Devo dire che dire questa canzone è di circa l'eroina è un po 'di stretching soprattutto perché theres malapena alcuna prova nella canzone per sostenerlo. Certo, si parla della sua chitarra, ma questo è l'unico collegamento posso fare tra la discussione e la canzone. Beth - Livonia, mi Grande canzone con i grandi testi il ​​mio preferito. Dipingerò la mia immagine, mi verniciatura in blu e rosso e nero e grigio Tutti i bei colori sono molto molto significativo. Dan - Columbia, Md divertente, questa canzone mi fa pensare a un buon mio buon amico quando eravamo più giovani. Al momento abbiamo davvero iniziato ad ascoltare esso, un sacco di testi puntare a nostra vita reale. le prime quattro righe puntano al mio (al momento) fidanzata biondi e anche la ragazza dai capelli neri mio amico usciva, che era anche un ballerino. E la linea Balla, mentre suo padre suona la chitarra anche ci fa pensare il fatto che ci Famiglia erano in attività per un breve periodo di tempo. Potrei davvero entrare, ma è un ottimo brano che sicuramente sarà una delle mie preferite per un po '. John - Cleveland, Tn Questa canzone è molto profondo per me. Mi ricorda di come mi sentivo quando la mia ragazza e io ci siamo lasciati, allo stesso tempo, la mia ragazza zii lo ha lasciato anche. Entrambi abbiamo appena appeso fuori insieme sempre parlare ubriaco e alta circa le nostre donne. Questa canzone parla di due ragazzi che si sentono soli e solo bisogno di qualcuno a prendersi cura di loro. Per fortuna mio zio e io tornati con le nostre ragazze. Questa canzone mi permette di vedere come solo avremmo potuto finito. Dante - Qui, la Cina questo è in realtà una buona canzone. Mentre tutti intorno a loro stava saltando sul treno pop sugo commerciale, questi ragazzi avevano il coraggio di uscire con una canzone che in realtà aveva senso al testo. per questo, mi congratulo. Matt - Millbrae, Ca penso che il signor Jones è Duritz alter ego e quando sarà veramente ubriachi o drogati o qualsiasi altra cosa il signor Jones viene rilasciato, thats il mio INTERPRETAZIONE per quella canzone. Fabian - Nogales, in Messico la canzone sembra anche come potrebbe andare avanti con il gioco della morte di un commesso. Ben - Weymouth, Ma capisco come questa canzone avrebbe dovuto essere di circa amico Adams, ma ho un interperitation diverso. So che non è quello che Adam inteso, ma penso che è in parte il motivo per cui mr. Jones è una canzone così sorprendente: eeeverybody riesce a trovare un modo per rendere questa canzone molto personale a se stessi. tuttavia LAME alcuni interperatations sono, se significano qualcosa per quella persona, allora così sia Spero che questo sia presa in considerazione Michelle - Montreal, Stati Uniti Ho usato per pensare questa canzone era circa un skizophrenic, che si è fatto qualcun altro, quando gli mancava la fiducia , e, infine, ritiene che a tutti piace questo alter ego più di lui. Esiste una versione acustica meravigliosa di questo è da morire, tranne per il fatto che essi rimuovere la mia linea preferita: Mr. Jones e mr, fissando il video quando guardo la televisione voglio vedere me, guardando a destra indietro a me. Pat - Montreal, Canada vorrei sapere perché il farmaco che canzoni rock sono sempre circa è eroina. non si tratta di eroina. Dubito fortemente che ci sono molte buone canzoni che parlano di eroina. Bretagna - Waverly, Ny ho incontrato Adam Duritiz nel 200 quando lavoravo in una stazione radio locale, gli ho chiesto l'ispirazione per questa canzone e Omaha. Questo non ha nulla a che fare con la droga. Perché, perché tutti pensano L'eroina è la Bassis per TUTTI canzoni rock. Serriously, quando mai qualcuno dice Questa canzone parla di eroina ignoro il palo. Hey sai quella canzone, Buon compleanno i suoi circa eroina. sì hanno scritto circa la presa schiaffo per la prima volta, sai che il tuo compleanno, come e adict. Se quanto stupido che suona Monty - Omaha, Ne ho sentito una teoria da qualcuno che pensava che Mr. Jones era un liquore-brand. quindi se si ottiene il testo un po 'sbagliato potrebbe essere Passami una bottiglia di Mr. Jones - e più tardi quando canta Mr. Jones colpisce una conversazione con questo nero dai capelli hes ballerina di flamenco ubriaco e il suo solo parlare alcol. hehe, wouldnt mettere troppo peso in questa teoria però. Torbjrn - Trondheim, Norvegia Qualcuno di voi ragazzi sentito parlare del film belle donne. io non kno quando il film o di una canzone è venuto fuori, ma dopo che ho visto il film ero convinto che era stato associato. Per uno, il bar dove hanno appeso fuori era mr Joness. quando si trovavano in quel palazzo sono stati talkin bout l'uomo di essere innamorato della ragazza e ha detto che tutti vogliamo somthing bella. il nome del film è belle donne. e io non kno esattamente dove New Amsterdam si ma im abbastanza sicuro che il suo fino a yankee teritory in modo che forse anche l'impostazione del film. ci sono più cose ma ho havnt visto il film in un po 'di chiunque altro vede il collegamento Katie - Royston, Ga Duritz anche sostituito Dave Lowery di Cracker per Bob Dylan su un'altra prestazione TV, Duritz è stato anche indossava una camicia Cracker T durante questa performance Nick - Arlington Heights, Il mi preoccupo che dice la sua circa. Mr. Jones è Lester Bangs. Matt - Durham, Nh Adam sa che mi stava guardando. E l'ho fatto andare a parlare (e fare un maledetto pazzo fuori di me) con quella che ho avuto il mio occhio. Ma forse se fossi stato una rock star. Marty - Eugene, OR Ive ha ottenuto questo compagno di david che crede la canzone Mr Jones dai Counting Crows è una copertura che eccita per amor crist. Spero che questa e altre voci su internet e tvpublications simili lo leverò dritto. SONG BUONA e scritto da Adam Duritz e Counting Crows Rod - Ipswich, Australia, mi piace l'idea di essere Mr. Jones Adams alter ego. Penso che mostra davvero la differenza tra una persona che è sobrio, e una persona che è alta o ubriaco (Mr. Jones). In entrambi i casi la sua una grande canzone che non ha mai avuto il rispetto che meritava. Matt - St. Charles, Mo jeffq che ha postato il primo commento è obviosly confuso. Vorrei sapere dove hai sentito che Adamo aveva un adiction Herion e dato in pegno il suo chitarra prima spettacoli. sai come ridicolo è il suono Katy - Eden Prairie, Mn Si tratta di cantante Adam Duritz dipendenza da eroina. Mr. Jones è il suo rivenditore, e le difficoltà di essere un eroinomane. La band prende il nome da uno dei passatempi preferiti della sua pur volare alto fuori di eroina Counting Crows. Lui di solito pedina fuori la sua chitarra per i soldi della droga e il resto della band avrebbe dovuto andare a comprare di nuovo prima di ogni spettacolo. Jeffq - Nekoosa, Wi Adam Duritz detto su VH1 Storytellers che la canzone è stata scritta quando lui e un amico sono stati in ascolto ai suoi amici padre (che era un chitarrista di flamenco) giocare in un bar chiamato il New Amsterdam. C'erano tutte queste belle ragazze al bar, e ballare la musica. Mr Jones e Adam stavano bevendo e parlando di come avrebbero il coraggio di parlare con queste donne se fossero famosi. Poi vanno a sognare come tutti i loro problemi sarebbero risolti se fossero famosi. Jeremy - Gonzales, La potrebbe essere quello che vuole essere, ma è per paura di provare Jaffa - Auckland, Nuova Zelanda Jones può significare una passione, la preoccupazione, dipendenza o un desiderio. Mr. Jones è l'cantanti alt-ego. Chi brama fama credendo che porterà lo amano e felicità. Il cantante è sicuro di come la gente vede lui, cosa vedono il vero lui o la fama. Shes guardando a voi, io non la penso così. Shes guardarmi. Grazie a Bill per spiegare questo a me, la sua una grande canzone Karen :-) Karen - Virginia Beach, in Virginia il signor Jones non si ispira al signor Jones nella canzone di Dylan. Its about Marty Jones one of Adams friends from the Bay Area. Check any Crows press ever to back this up. Richard - Nederland, Tx Could Mr. Jones be what the singer turns into when hes drunk. somebody check it. Pass me the bottle Mr. Jones. Live Freak - Beirut, Other see more commentsBLESSINGS GALORE, stories ISBN: 978-1-877655-91-3, LCN: 2016931968 First Trade Paperback, 6.0 X 9.0, 166 pgs. 153.50 sh Cover design by Kristin Summers, redbatdesign Cover art by Lindsey Stern Author Photo by Michelle Kyoto Crowson quotThe writing in these startling stories by Nate Liederbach is vivid and innovative and perfect for the wild and unexpected events. The scope ranges from the apocalyptically large to the intimately small, and all of it is interesting and moving. Chances are taken, and they pay off. Yes, there is a high jumping economist and witches and outlaws and a tongue to be shaved, but also a candy bar from the past and roadkill, and you get to take your daughter to heaven for a little vacation. I love finding rare writers who are telling the stories only they can tell. Settle in and be ready to be surprised by Blessings Galore. -- Ray Vukcevich, author of Boarding Instructions and Meet Me in the Moonroom quotNate Liederbach deftly combines slipstream literaray fiction and visionary dialogue to pioneer a futuristic territory saturated with intoxicating language. Eloquent, yet tight, Blessings Galore is a heady mixture of stunning story and thoughtful philosophy. quot --Stephanie Freele, author of Surrounded by Water and Feeding Strays quot Blessings Galore bears the hallmarks of an experimental classic--it is at once lurid, zestfully grotesque, and utterly wondroous. Nate Liederbach punches not up or down in this wild collection, but straight at the readers chest, where all the blood and muscle converges--in other words, these stories are not even remotely for the faint of heart. quot --Matthew Derby, author of The Silent History and Super Flat Times ABOUT THE AUTHOR Nate Liederbach is the author of Doing a Bit of Bleeding, Negative Spaces and Beasts Youll Never See (winner of the 2014 Noemi Press Fiction Award). Among other honors, his writing has received the Academy of American Poets Larry Levis Prize. the Atlantic Monthly College Nonfiction Prize, a Best New Poets inclusion, and the Utah Original Writing Competitions Short Fictin Award. Helives in Olympia, Washington. December 1, 2015 BOOK TWO OF SEA-LEVEL NERVE, PROSE POEMS BY JAMES GRABILL SEA-LEVEL NERVE (BOOK TWO) Prose Poems by James Grabill ISBN: 978-1-877655-90-63, LCN: 2015950952 First Trade Paperback, 6 X 9, 104 pgs. 153.50 sh Cover Art by Miriam Nelson Cover Design by Kristin Summers, redbatdesign Author photo by Bill Siverly quotI know of no other poet who has addressed climate change as powerfully and persistently as James Grabill. In Sea-Level Nerve: Book One . the urgency of our greatest challenge is perhaps more audible. In Book Two, Grabill shatters every conceivable divide we have become so comfortable with. quot --Derek Sheffied, author of Through the Second Skin BUY BOOK ONE AND TWO FOR 33 DISCOUNT 20 plus 3.50 shipping DEBUT NOVEL BY TERRA BRIGANDO ROOMS FOR GHOSTS, a novel ISBN: 978-1-877655-93-7, LCN: 2015938562 First Trade Paperback, 5.5 X 8.5, 104 pgs. 123.50 sh Cover design by Kristin Summers, redbatdesign Author Photo by Brent Scharschmidt Terra Brigandos first novel, Rooms for Ghosts . chronicles the disintegration of a wealthy family while vacationing on an island one summer. The narrator, a young teenager, splits her time between caring for a drug-addicted mother and navigating her own desire for understanding. With no one to look after her, she finds herself enmeshed in her mothers lavish parties and becomes the object of affection of an older man. After discovering her father in an affair, she becomes obsessed with her fathers mistress. What follows is a sweet, but unseemly, relationship between the two females and a devastating tragedy that changes the family forever. Written in dark, lyrical prose, Rooms for Ghosts takes us on a journey that is rife with longing and confusion as the narrator searches for the love that seems to elude her. quotAuthor Terra Brigando plunges us into an experience where loneliness can result in going to the edge and wondering if there is a way back. The innocence of adolescence is demolished and the world turns in a very short time. Executed with graceful and memorable language, a textured and languid narrative, and compelling insight into the gnarly confusion of adolescence, Brigando layers the story delicately and deeply, plunging the reader into the truths and dares of this young girls search for love. quot --Elmaz Abinader, author of This House, My Bones quot Rooms for Ghosts is a riveting story about a fourteen-year-old girl undergoing unexpected rites of passage during a summer vacation that introduces her to drugs, alcohol, sex, and the inchoate longing that every teenager feels when she is not quite grownup, but no longer a child either. Brigando sets a blistering pace that never lets up. Her story is filled with glittering images and an envious sense of timing that belies the fact that this is her first novel. Ghosts is a dazzling coming of age narrative dense with stunning descriptions that are sometimes tender and loving, but sometimes shockingly brutal as well. Edgy, in your face, the author never holds back, never flinches, even though some timorous readers might wish she had. quot --Duff Brenna, AWP Novel Award winner for The Book of Mamie ABOUT THE AUTHOR Terra Brigando lives in Oakland, California. She earned her Master of Fine Arts degree in English and Creative Writing at Mills College in 2012. This is her first novel. 4 IN THE WORDCRAFT SERIES OF FABULIST NOVELLAS quotDeBiases exquisitely crafted debut novella straddles a line between magical realism and metaphorical truth in a story that explores ties among three generations of women, the persistence of innocence even in the most desperate of childhoods, and the transformative power of stories and dreams. DeBiases storytelling, both in the overall narrative and in the actual tales her characters tell, deftly excavates the beauty in brokenness and the strange sweetness in sorrow. quot --PUBLISHERS WEEKLY (June 2015) MAMA amp THE HUNGRY HOLE Wordcraft Series of Fabulist Novellas 4 ISBN: 978-1-877655-85-2, LCN: 2015933291 First Trade Paperback, 5 X 8, 154 pgs. 123.50 sh Cover design by Kristin Summers, redbatdesign Author Photo by Judith DeBiase In a narrative interwoven with fairytales, the lines that divide memories from dreams blur in Mama amp the Hungry Hole . Julia is 4-years-old and her Mama has stolen her away to the mountains of northern New Mexico where everything is unfamiliar and everyone is unknown. Lonely and often forced to take care of herself during Mamas many quotquiet times, quot Julia befriends a tree. Tree has been around longer than anyone and witnessed the village change from thriving ranching town to hippie commune to bedroom community. When Julias Nana comes to visit and a traveling Circus moves in next door it seems like everything will change for the better, but Tree is the first to notice the eerie sensation of nothingness deep beneath its roots. quotLoss, family-forged shackles and bonds, and the power of storytelling, are at the splintered heart of this engaging debut novella. DeBiase poignantly renders the mystery, magic and terror inherent in nature and childhood. and does so with vigorous simplicity. In what amounts to a deftly executed balancing act: charm holds hands with tender sorrow reality dissolves inside of dreams and peeled layers reveal deeper mysteries. Or to spin it another way: an existential fairy tale for insomniacs. quot --John Biscello, author of Broken Land and Freezer Tag quotJohanna DeBiases Mama amp the Hungry Hole excavates the innocence and despair of the liminal child. As activist as it is feminist, DeBiase follows the abrupt agony when the body is confronted with death. Here, mourning yields potent escapism and Mama amp the Hungry Hole is a magical curse that we dare not stop reading. quot --Lily Hoang, author of Unfinished and The Evolutionary Revolution ABOUT THE AUTHOR Johanna DeBiase writes from New Mexico where she is spellbound by the energy vortex of Taos Mountain. Originally from New York, she earned her BA in Literature and Creative Writing from Bard Collage and her MFA in Creative Writing from Goddard College. Her short fiction has been published online and in print including Portland Review . theNewerYork, Monkeybicycle, Convergence, Prick of the Spindle and San Antonio Current . She has also received scholarships to attend San Miguel Writers Conference, Vermont Studio Center, and Rensing Center. The rest of the time, she is a certified yoga instructor. vintage clothing boutique owner and mother of one. Review by Linda Michel-Cassidy for Prick of the Spindle 3 IN THE WORDCRAFT SERIES OF FABULIST NOVELLAS A DOUBLE MONSTER FEATURE (TWO NOVELLAS) BUY ALL THREE GRANDBOIS DOUBLE MONSTER FEATURES FOR SPECIAL DISCOUNT BELOW (SIX NOVELLAS). 2015 FINALIST FOR INDIEFAB BOOK OF THE YEAR AWARD IN BOTH LITERARY FICTION AND FANTASY quotThese stories show how fantastical tropes can be perfect touchstones for exploring universal human experiences. quot THE GIRL ON THE SWING amp AT NIGHT IN CRUMBLING VOICES Wordcraft Series of Fabulist Novellas 3 ISBN: 978-1-877655-86-9, LCN: 2014955736 First Trade Paperback, 5 X 8, 144 pgs. 123.50 sh Cover design by Kristin Summers, redbatdesign Author photo by Gary Isaacs THE GIRL ON THE SWING amp AT NIGHT IN CRUMBLING VOICES, the third and final installment in award winning novelist Peter Grandbois series of monster double features, marks a departure from the previous books in that these stories are not told through the point of view of a movie monster icon. Inspired by lesser know 50s monster fare, the monsters in these novellas become more difficult to discern and therfore, even more disturbing. quotEerie stories harkening back to the grand old talkes of The Twilight Zone will thrill as they entertain. the writing is so good that it goes beyond genre. quot quotIts insightful storytelling at its best. easily Grandbois darkest yet--and the author is only growing more confident and capable, wielding sci-fi tropes like blades to cut to the heart of our doubts and fears. --Glenn Dallas, San Francisco Book Review quotGrandbois makes a case for a newer, better understanding of monsters. He brings them from the far, unexplored edges of the map and sets them directly in front of you in order to show that the monsters most frightening quality is his own fear. Grandbois shows us that the truth is indeed out there, but its even farther, darker, and more complicated than we might have first imagined. quot --Alexander Lumans, Los Angeles Review of Books ABOUT THE AUTHOR Peter Grandbois first novel, The Gravedigger, is currently in pre-production as a major motion picture. It was also chosen by Barnes and Noble for the quotDiscover Great New Writersquot program and named one of the best books of 2006 by Booklist. His second novel, Nahoonkara was ForeWord magazines Book of the Year Award winner in literary fiction for 2011. He is also the author of an innovative memoir entitled The Arsenic Lobster and a collection of surreal short fictions, Domestic Disturbances, currently a finalist for ForeWord magazines Book of the Year Awards. His plays have been produced in St. Louis, Columbus, and on 42nd St. in New York. He is a professor of creative writing at Dennison University in Ohio. SPECIAL OFFER: BUY ALL THREE BOOKS IN GRANDBOIS MONSTER SERIES, SIX NOVELLAS, FOR 25 PLUS SHIPPING. 2 IN THE WORDCRAFT SERIES OF FABULIST NOVELLAS A DOUBLE MONSTER FEATURE (TWO NOVELLAS) HONORABLE MENTION FOR INDIE-FAB AWARD FOR BEST FANTASY OF THE YEAR BY AN INDEPENDENT OR UNIVERSITY PRESS (2014) Read More quotExtraordinary characters in ordinary situations prompt wry philosophical speculations about everyday life and longings in this pair of novellas laced with tropes from sci-fi B movies. Although Grandbois ( Domestic Disturbances) endows his characters with some otherworldly attributes, he renders them believably human through their self-doubts and amusing foibles. His clever, sympathetic depiction of the men inside the monsters will appeal to a wide range of readers. quot -- PUBLISHERS WEEKLY THE GLOB WHO GIRDLED GRANVILLE amp THE SECRET LIVES OF ACTORS Wordcraft Series of Fabulist Novellas 2 ISBN: 978-1-877655-84-5, LCN: 2014942463 First Trade Paperback, 5 X 8, 122 pgs. 123.50 sh Cover design by Kristin Summers, redbatdesign Author photo by Gary Isaacs In THE GLOB WHO GIRDLED GRANVILLE amp THE SECRET LIVES OF ACTORS, we encounter perhaps the two biggest icons of 50s B Horror, The Blob and The Thing from Another World . This time around, we meet our monsters decades after the films that made them famous as they attempt to adjust to quotnormal life. quot Whether youve seen the movies or not, Grandbois madcap prose breathes life into these monsters, and, in doing so, makes us better able to face the monster in ourselves. quotIf you ever doubted that monsters (and movie stars) have rich inner lives, doubt no more. Let Peter Grandbois be your guide to the wounded heart (or some extra-terrestrial equivalent) of every alien being on a rampage. Full of wit, verve, and imagination. quot --Karen Joy Fowler quotThe monsters Peter Grandbois gives us here arent just painfully wonderfully human, theyre each of us, theyre all of us. After reading this, youll see that youve had scales all along. quot -- Stephen Graham Jones, author of Ledfeather and Flushboy Lit Reactor Review quotA must read. quot --Chris Rosales Read here. HTML Giant Review Grandbois. breath(es) a new, complex literary life into both narratives, so that the thrill is one of uncanny insight and surprising tenderness. a haunting critique of domesticity and divorcemdashnot the conventional manifestations of these states, but their ungraspable and inevitably reductive power. exposing the underlying importance of the freakish clinquant that is our need for our own pop history. -- Nate Liederebach Read here. ABOUT THE AUTHOR Peter Grandbois first novel, The Gravedigger, is currently in pre-production as a major motion picture. It was also chosen by Barnes and Noble for the quotDiscover Great New Writersquot program and named one of the best books of 2006 by Booklist. His second novel, Nahoonkara was ForeWord magazines Book of the Year Award winner in literary fiction for 2011. He is also the author of an innovative memoir entitled The Arsenic Lobster and a collection of surreal short fictions, Domestic Disturbances, currently a finalist for ForeWord magazines Book of the Year Awards. His plays have been produced in St. Louis, Columbus, and on 42nd St. in New York. He is a professor of creative writing at Dennison University in Ohio. September 1, 2014 NEW PROSE POEMS BY OREGON BOOK AWARD WINNER SEA-LEVEL NERVE (BOOK ONE) Prose Poems by James Grabill ISBN: 978-1-877655-88-3, LCN: 2014943775 First Trade Paperback, 6 X 9, 104 pgs. 153.50 sh Cover Art by Miriam Nelson Cover Design by Kristin Summers, redbatdesign Author photo by Bill Siverly quotIn this era with seven quickly becoming eight billion of us hoping to survive on Earth, as scientific research and development, community resilience, and social justice progress, so do they retool awareness and rewrite working paradigms--on this terrain, the prose poems in Sea-Level Nerve speak symphonically and resonate ecologically as they explore what we collectively find through ecological perspectives with an eye toward the emerging future. quot -- James Grabill, July 21, 2014 quotJames Grabill has always been at the forefront of ecologically concerned poets, finding the information we need, and speaking as a steward for the natural world. In Living with the Stern Review he says Even a gnats dust plants a seed and takes back life. And then he warns us: What our ancestors believed was endless has come circling back around us. quot -- Allan Cooper, editor of Germination and author of Gabriels Wing quotIn Sea-Level Nerve James Grabill takes the mico and macro observations of science--in other words, every being and phenomenon in the universe--and pulls them together into a great vision. His unique lyricism is one of the brilliant lights of contemporary American poetry. quot --Lawrence Smith, editor of Caliban and author of Annies Soup Kitchen About the Author JAMES GRABILL has published seven books of poems, two books of essays and two poetry chapbooks. Poem Rising Out of the Earth and Standing Up in Someone (Lynx House, 1994) won the Oregon Book Award for Poetry. Three other volumes have been finalists for OBA: Through the Green Fire (Holy Cow Press, 1995) in creative nonfiction, Listening to the Leaves Form (Lynx House, 1997), and An Indigo Scent after the Rain (Lynx House, 2003) in poetry. Now semi-retired, Grabill channels his energy into writing projects and public presentations. He continues to teach quotPathways to Sustainabilityquot at Clackamas Community College. He lives in Portland, Oregon. 1 IN THE WORDCRAFT SERIES OF FABULIST NOVELLAS A DOUBLE MONSTER FEATURE (TWO NOVELLAS) WAIT YOUR TURN amp THE STABILITY OF LARGE SYSTEMS Wordcraft Series of Fabulist Novellas, 1 ISBN: 978-1-877655-82-1, LCN: 2014935679 First Trade Paperback, 5 X 8, 120 pgs. 123.50 sh Cover design by Kristin Summers, redbatdesign Author photo by Gary Isaacs In Wait Your Turn and The Stability of Large Systems, the first in a series of monster double features, award-winning novelist Peter Grandbois pulls back the curtain, revealing previously undiscovered behind the scenes footage of two of the most feared 50s movie icons: The Creature from the Black Lagoon and The Fly. Playful and painful, these novellas put the microscope to domestic life revealing the human in the monster and the monstrous in the human. quotGrandbois has a flair for telling stories in refreshingly unique ways. His writing is clear and concise with colorful phrasing and impeccable grammar. His dialogue flows naturally and never seems forced. quot --Jass Elliot, Foreword Reviews . Fall 2014 quotIn this double feature, Grandbois peels back the scrim of the B-movie to reveal the wounded figures lurking behind, figures that cast shadows that seem from one angle monstrous but from another all too human. At once playful and painful--youll never look at B horror in the same way again. quot --Brian Evenson, author of Windeye and Immobility About the Author PETER GRANDBOIS is the author of the novel, The Gravedigger . selected by Barnes and Noble for its quotDiscover Great New Writersquot program, The Arsenic Lobster: A Hybrid Memoir, chosen as one of the top five memoirs of 2009 by the Sacramento News and Review, Nahoonkara, winner of the gold medal in literary fiction in ForeWord magazines Book of the Year Awards for 2011, and a collection of surreal flash fictions, Domestic Distrubrances. His essays, plays, and short stories have appeared in numerous journals and been shortlisted for both the Pushcart Prize and Best American Essays. He is an associate editor at Boulevard magazine and teaches at Denison University in Ohio. KEEPING THE SWARM: NEW AND SELECTED ESSAYS ISBN: 978-1-877655-76-0, LCN: First Trade Paperback, 6 X 9, 224 pgs. 15.953.50 sh Cover Art: quotFinding the Queen, quot Kodua Galieti Cover amp Book Design: redbat design, redbatdesign Author Photo: Marie Balaban quotThe collection is personal and universal, grounded in the small towns of the Inland Northwest that Venn knows so well. quot --Jeff Baker, The Oregonian quotIn his latest collection of essays, Keeping the Swarm, Venn again reflects his strong ties to and affection for the Pacific Northwest. Intensely personal and intimate, these essays reflect a thoughtful nostalgia and gentle sensibility. Venn offers many memorable moments. quot --Kirsten Rabe, ForeWord Reviews . Winter 2012 quotThis welcome essay collection by the sharpest-eyed Northwest writer conjures the region he knows so intimately. His careful portraits of mining towns, wheat harvest, bee keeping, snowland wonders ring clean and true. This venerable voice blesses every reader with another brave and rewarding book. quot --Craig Lesley, author of Burning Fence quot Keeping the Swarm is an intimate, powerful portrait of community. Dipping his pen into a mix of blood and honey, George Venn braves the scabrous terrain of memory. Venns prose is powerful, his narrative vulnerable. The Poets abiding respect for creatures and for environment, for song and for languages. shines brightly here. This book will make you thirst for the clear water of the mountains, and hunger for the amber-nectar of home. quot --Karen Spears Zacharias, author of A Silence of Mockingbirds quotGeorge Venn is a gentle radical: In lyrical prose he enchants us with the closely observed words and acts of ordinary people--from the Northwests small towns to classrooms in post-Cultural Revolution Hunan--always connecting this fabric of local life to the global issues of social justice and human interdependence. Who says literature makes nothing happen Venn asks. His memorable essays inspire us to go beyond humanities to humanitarian work. quot --Jennifer Eastman Atteberry, author of Up in the Rocky Mountains quotIn Keeping the Swarm, George Venn both asks and answers the question, quotAfter all, what are writers for. In clear-eyed, honest, and eloquent fashion, Venn examines the places and people of his childhood and adulthood, proving that the pedestrian and the profound exist. and coalesce to form our most sacred guidebook for us to examine our own piece of the world, to recognize the beauty, grace, and peril. quot --Robert Stubblefield, University of Montana quotIn his latest collection of essays, Keeping the Swarm, Venn again reflects his strong ties to and affection for the Pacific Northwest. intensely personal and intimate, these essays reflect a thoughtful nostalgia and gentle sensibility. touches of powerful writing and many memorable moments. quot --Kirsten Rabe, Foreword Reviews, Winter 2013 quotFrom the gorgeous cover photo by California beekeeper-photographer Kodua Galieti to the very personal family photos and gentle boyhood remembrances, Venn paints a picture of beekeeping and family forever intertwined. quot --Fran Bach, Washington State Beekeepers Assoc. Newsletter, Nov. 2012 ABOUT THE AUTHOR Poet, essayist, literary historian, editor, linguist, and educator, George Venn is a distinguished figure in western literature. In 1988, his third book, Marking the Magic Circle . was awarded a silver medal from Oregon Institute of Literary Arts. From 1989-1994, he designed and directed the OREGON LITERATURE SERIES for which he received the Stewart Holbrook Award for quotoutstanding contributions to Oregons literary life. quot In 1999, West of Paradise was a finalist for the Oregon Book Award. In 2005, the Oregon Cultural Heritage Commission honored Marking the Magic Circle as quotone of the 100 best Oregon books in two centuries. quot His C. E.S. Wood monograph Soldier to Advocate (2007) and his Word War II Fred Hill collection Darkroom Soldier have recently earned high praise. For more see his website at: georgevenn Poems by Joshua McKinney ISBN: 978-1-877655-77-7, LCN: 2012940178 First Trade Paperback, 6 X 9, 80 pgs. 143.50 sh Cover art: quotMiyamoto Musashi wielding two bokken, quot a print by Calligraphy: Magdelena amp Maciej Kopciuch Cover Design: Kristin Summers, redbat design Author Photo: Anita Scharf Interior design: David Memmott quotThe poems in Mad Cursive move gracefully between beauty and destruction, the essential real locale of poetry in our times. A mad swordsman inside a poet-seer, McKinney dares to locate what resembles, in my reading, spirit laid bare. In this truly elegant book, the remnant of our language negotiates a shadow world--that space between life and death--which is life on this earth. Inside sword we find word, indeed. A truly courageous book. --Claudia Keelan, author of Missing Her quotJoshua McKinney tells of two masters: one who liked to write while walking in a place unblurred by interruption and one who preferred uneven ground. When I think of McKinneys work, I see him as the second master--clearing a new path, or, as Pound said of Whitman, the one who broke the new wood. In McKinneys post-bucolic interstitial landscape, flowers stand as ostiaries, the heat index reduces the Earths archives to ash, and the spirit trembles like a leaf. What I thought beautiful was what died astray. Though he leads us through foreboding realms of the imagination, McKinneys gentle-edged Taoist generosity is exceedingly redemptive, assuring, pointing us skyward and crying, look. Here is a poet who has earned the title of master. -- D. A. Powell, author of Useless Landscape, or a Guide for Boys quotIn an era of distress and shrillness, it takes courage and, more than courage, Grace, to speak out boldly. unguardedly, for Balance. In the literal body of these new poems, Joshua McKinney articulates the mortal grandeur and (this is more poignant than I can rightly say) the tragedy of Balance. McKinney simply will not relinquish either past or present, love or bereavement, intellect or animal anguish, merely to accommodate the shrill urgings of our moment. Mad Cursive is therefore, and shall remain, a heroic collection. quot --Donald Revell, author of The Bitter Withy quot Mad Cursive is an excellent use of poetry as a vehicle for real thought: a good read. quot --San Francisco Book Review, Sept. 2012 ABOUT THE AUTHOR Joshua McKinney is the author of two previous collections of poetry: Saunter . co-winner of the University of Georgia Press Poetry Series Open Competition in 2001, and The Novice Mourner, winner of the Dorothy Brunsman Poetry Prize in 2005. He is also the author of two poetry chapbooks: Saunter (Primitive Publications, 1998) and Permutations of the Gallery (Pavement Saw Press, 1996), winner of the Pavement Saw Chapbook Contest. His work has appeared widely in such journals as American Letters amp Commentary, Boulevard, Colorado Review, Denver Quarterly, Kenyon Review, New American Writing, and many others. Other awards include a Gertrude Stein Award for Innovative American Poetry. He teaches poetry writing and literature at California State University, Sacramento. He is a member of Senkakukan of Sacramento where he studies Mugai Ryu, Toyama Ryu, and the curriculum of the Zen Nihon Battado Renmei. SUDDEN DEATH OVER TIME Stories by John Rember ISBN: 978-1-877655-79-1, LCN: 2012938178 First Trade Paperback, 6 X 9, 146 pgs. 143.50 sh Front cover art: quotFind Your Rainbow, quot Diane Labombarge, courtesy Back cover art: quotSeamless Crows, quot Indigocrow, courtesy Title page collage: David Memmott, images courtesy iStockphoto Cover design: Kristin Summers, redbatdesign Interior design: David Memmott Sudden Death Over Time does what only good satire can--tear down the artificial and the irrelevant to get to what is human. The stories are funny, insightful, disturbing, sad, and always entertaining. They emerge from the uncertainty of our time, amid failing infrastructures, moral ambiguity, corruption, and tenured disinterest of an academic system that perhaps like our political system needs to slough its skin and renew itself every ten years as Thomas Jefferson once suggested. Rembers talent in bringing interesting characters to life and letting them stumble on their humanity in places at the same time common and extreme give these stories an energy that sparks on every page until they conflagrate into a controlled burn. quotJohn Rember tears your heart out and replaces it with his own. No one I know of comes close to his mastery of the short story. Read him and weep. quot --TIM SANDLIN, author of the GroVont Quartet quotI couldnt get enough of the stories in Sudden Death Over Time . John Rembers wit is as sharp as the edge of a well-hone ski and his prose is as smooth and perfect as a Deans finest scotch. Reading these stories made me feel as though Id come upon Richard Russo and Thomas McGuane swapping smart and wicked tales in front of a hot pub fire with cold drinks in hand. The book is that skillful, and that funny. quot --ALYSON HAGY, author of Ghosts of Wyoming quotRembers deft touches, the concrete language and careful craftsmanship he displays discloses a powerful writer at the summit of his game, a wordsmith who knows how to spin a yarn in such a winning way that those who read his stories are carried along with ineffable ease, perhaps seldom aware of the simple beauty of the style, the prose, its concision: never a word out of place, never a phrase without its distinctive, unfaltering Rember rhythm. Sudden Death Over Time is consummate literature--a dazzling achievement. quot --DUFF BRENNA, from his Introduction About the Author JOHN REMBER was born in Sun Valley, Idaho. He is the author of the story collections, Coyote in the Mountains and Cheerleaders from Gomorrah, the memoir Traplines, and the why-to-write book, MFA in a Box. For many years he was a professor of literature and writing at the College of Idaho and in the Pacific University MFA Program. He lives with his wife Julie in the Sawtooth Valley of Idaho. Finalist for Next Generation Indie Book Award in General Non-Fiction Finalist for San Diego Book Award quotBrennas experience is all there, in thorough, felt detail--in the embedded dialogue, in the scenes truer than memory or invention, in the visionary understanding of grotesque and sympathetic characters, and in the complete, self-standing episodes woven into the chronological flow. Anyone following the landmark achievements of literary memoir must learn from and celebrate this remarkable book. quot DeWitt Henry, American Book Review . Nov. Dec. 2012, Vol. 34, 1 MURDERING THE MOM: A MEMOIR ISBN: 978-1-877655-74-6, LCN: 2012930960 First Trade Paperback, 6 X 9, 218 pg. 153.50 sh Cover and Family Photos from Pappas family album Cover design: Kristin Summers, redbat design Author Photo: David Memmott Special thanks to Robert Mast for assistance with family album quotYoure killing me, Duffy. Youre killing me, quot the mom always said. Murdering the Mom is a story that elevates the obscene to the sublime. Duff Brenna takes all the materials of hardship and abuse during an unhappy childhood and sculpts it into art, into something transcendent. This is a heart-rending memoir that exceeds the expectations one normally has of a memoir, that is, it reads like a captivating novel. quotThere are some memoirs that seem so artful in the dissection of the joys and horrors of a life that they resonate long after that last page. Duff Brenna provides just such a story. he provides a compelling attempt to untangle the emotional threads of his childhood. By viewing his past with such a sense of honesty and compassion, he delivers a memoir thats a truly striking accomplishment. quot -- Elizabeth Millard for ForeWord Magazine On-Line Reviews quotDuff Brenna is one of the most talented, brave and daring writers of contemporary American letters. With great skill, insight, wisdom, introspection, and above all a sense of humanity and forgiveness, a brilliant writer transcends the tragic and turns this powerful, raw, heartfelt story into the finest art. quot --JAMES BROWN, author of This River and The Los Angeles Dairies quotThis book portrays a broken childhood and a struggling life in the most raw and honest manner imaginable. He makes this book a personal gift to every reader. quot --Rachel J. Richards, The Portland Book Review quotDuff Brenna is exploring--unsparingly, unflinchingly, but above all fairly, with balance and breathtaking honesty--the humanity of a group of people born into and continually creating a kind of hell in which they thrash around without a clue as to how to get out. quot --THOMAS E. KENNEDY, author of In the Company of Angels, and Fallling Sideways Read review in San Diegos East County Magazine quotWith plenty of humor and poignancy, Murdering the Mom, is an excellent pick for memoir collections, very highly recommended. quot -- Midwest Book Review quotDuff Brenna childhood and coming of age are as harrowing as Maxim Gorkis, but where Gorkis calls for a Soviet revolution to free underlcasses from the cycle of brutality, Brennas celebrates our common humanity, complexity, and resilience, revolution within. His accounts of being brutalized and loved by his stepfatherare both horrific and comic. This is a memoir remarkable for its ironic acceptance of outrages. quot quot Murdering the Mom is wonderful I just finished it a minute ago. A delicious read. those last scenes are terribly moving. quot --Steve Kowit, author of The Gods of Rapture and Lurid Confessions About the Author DUFF BRENNA is the author of six novels, including The Book of Mamie, which won the AWP Award for Best Novel The Holy Book of the Beard . named quotan underground classicquot by The New York Times Too Cool, a New York Times Noteworthy Book The Altar of the Body, given the Editors Prize Favorite Book of the Year Award, South Florido Sun-Sentinel, and also received a San Diego Writers Association Award for Best Novel in 2002. He is the recipient of a National Endowment for the Arts award, Milwaukee Magazines Best Short Story of the Year Award, and a Pushcart Prize Honorable Mention. His work has been translated into six languages. His collection of short stories, Minnesota Memoirs, was published by Serving House Books in February, 2012. 2012 Bronze in Poetry from Foreword Reviews Book of the Year Award. 2013 Finalist for the Spur Award for Best Western Poem from Western Writers of America, for quotNight Singer, Chaco Canyon, New Mexico THE SKY IS A BIRD OF SORROW Poems by Steve Dieffenbacher ISBN: 978-1-877655-75-3, LCN: 2012932497 First Trade Paperback,6 X 9, 110 pgs. 153.50 sh Cover and interior artwork copyright 2005-2011, Don Gray dongraystudio quotLoom of the Land, quot cover painting Author photo: Deidre Dieffenbacher The Sky Is a Bird of Sorrow is an apt title for Steve Dieffenbachers new book of poems. Like the sky, the scope of the poetry is wide, primarily a sweeping vision of spaces and eras specific to the West -- Oregon, New Mexico, deserts, mountains, ocean shores, the land and its people. The tone of voice, maintained almost consistently throughout the book, is filled with the sort of longing that beauty and wonder always occasion. Loss and searching, treated honestly and straighforwardly through human events and earthly, are Dieffenbachers major themes. quotOn the rim of the canyonI have come to find you. quot --Pattiann Rogers, author of Wayfare and Generations These gentle, well-considered poems travel American landscapes of the domestic, historic and prehistoric. In virtually every line, Steve Dieffenbacher celebrates the complications of human occupation and succession, always asserting the possibilities of a life well-lived: quotif it be not now, yet it will come, our last and deepest love. quot --David Axelrod, author of What Next, Old Knife and Departing by a Broken Gate From this poet whose German surname evokes a quotdeep streamquot comes a collection both lit and shadowed from within by a Rilkean lyricism. Dieffenbacher gives us poems that can hear a quot. continents breathheaving out of distancefrom plains of frost. quot His is a gift capable of conveying the language of a wounded tree, its quot . achingbroken topquot its quot. bellof wooden bones. quot Brimming with stunning tropes, alive with liquid music, his poems carry quot. the mute undertow of another earth. quot On these pages, a fortunate reader finds language that reaches quotto the root of the world. quot --Paulann Petersen, Oregon Poet Laureate When the geese call in late autumn, this book says, they call for you. Crossing borders, climbing the rim, holding a vigil at dawn, these poems forge elegy in each hour of each day, like birds graced with dark wings. In poems like these, even sorrow can fly. --Kim Stafford, author of The Muses Among Us: Eloquent Listening and Other Pleasures of the Writers Craft Interview with Steve Dieffenbacher About the Author Steve Dieffenbacher has lived in Oregons Rogue Valley since 1989. His poem quotEmptinessquot won the 2010 Poetry Prize sponsored by Cloudbank magazine of Corvallis, Oregon, and he has published in numerous regional journals. His poems also are included in Deer Drink the Moon (2007), an anthology of Oregon poetry published by Ooligan Press at Portland State University in the chapbooks Universe of the Unsaid (2009), Voices of the Siskiyous (2006), and At the Boundary (2001) in the anthology Intricate Homeland: Collected Writings from the Klamath Siskiyou (2000) and in A Path Through Stone, a 1995 cycle of poems that includes the work by Bruce Barton, Jonah Bornstein and John Reid. He is an editor at the Mail Tribune in Medford, where he writes a monthly column focusing on nature and hiking for the newspapers Sunday travel section. He has won various awards for writing, photography, and page design in his more than 35 years as a journalist. Picked as one of the ten best fiction titles of 2011 by Jane Ciabattari for The Boston Globe OUR DAILY BREAD A Novel by Lauren B. Davis ISBN: 978-1-877655-72-2, LCN: 2011928120 First trade paperback, 6X9, 258 pages, 153.50 sh Cover design: Kristin Summers, redbat design Cover art: iStockPhoto Photo of Boy Scout Whistle: Ron Davis Author photo: Helen Tansey quotBackwoods Noirquot at its best. For generations the Erskine clan has lived in poverty and isolation on North Mountain, shunned by the God-fearing people of nearby Gideon. Now, Albert Erskine comes down off the mountain hoping to change the future for his brothers and sisters and sets in motion a chain of events that will change everything. Inspired by the true story. From best-selling novelist Lauren B. Davis comes the deeply compassionate story of what happens when we view our neighbors as quotThe Other, quot as well as the transcendent power of unlikely friendships. OUR DAILY BREAD HAS BEEN PICKED UP BY HARPER COLLINS-CANADA. WORDCRAFT OF OREGON WILL CONTINUE TO REPRESENT THE NOVEL IN THE UNITED STATES. Our Daily Bread is a compelling narrative set in a closely observed, sometimes dark, but ultimately life-enhancing landscape. Lauren B. Davis vivid prose and empathetically developed characters will remain in the readers mind long after the final chapter has been read. quot --Jane Urquhart, prize winning author of Away and The Stone Carvers quotIll never forget this book, the stunning power of the descriptions, the attention to detail, the riveting plot, the fully-realized characters--this is storytelling at its very best. quot --Duff Brenna, author of The Book of Mamie, The Holy Book of the Beard quotWow From the first chapter of Our Daily Bread . quotup here where the view was like heaven and the living was like hell, quot I was hooked--by the characters, by the flow, by the clean. rhythmic prose. This is a novel that will make you want to do something about poverty, hunger, ignorance and the people who are subjected to such conditions. An outstanding, absorbing, page-turning novel. quot --Thomas E. Kennedy, author of The Copenhagen Quartet quotRendered with gorgeous prose, this compact, fast-moving novel features an astonishing range of tones, from hope to heartbreak, from black humor to white-knuckle terror. It will stay with you long after the covers are closed. quot --Dexter Palmer, author of The Dream of Perpetual Motion ABOUT THE AUTHOR Lauren B. Davis is the author of the bestselling and critically acclaimed novels, The Radiant City . a finalist for the Rogers Writers Trust Fiction Prize and The Stubborn Season . chosen for the Robert Adams Lecture Series as well as two collections of short stories, An Unrehearsed Desire and Rat Medicine amp Other Unlikely Curatives . Her short fiction has been shortlisted for the CBC Literary Awards and she is the recipient of two Mid-Career Writer Sustaining grants from the Canadian Council for the Arts. Lauren reviews books for The Globe amp Mail and The Literary Review of Canada . leads monthly Sharpening the Quill writing workshops in Princeton, New Jersey. TO ARRANGE AND INTERVIEW, CONTACT BLANCHE BRANN, LITERARY ADVOCATE, 609-620-0450, Bibrannyahoo FOR INFORMATION ON READINGS AND EVENTS, PLEASE VISIT LAURENS WEBSITE AT laurenbdavis READ FIRST CHAPTER Lauren B. Davis is the featured author for the October 2011 issue of SERVING HOUSE JOURNAL. Read the first chapter of OUR DAILY BREAD. quot. a powerful, harrowing, and deeply unsettling work. Its the sort of novel that keeps you reading even as your skin crawls and your blood pressure mounts. Our Daily Bread proceeds like a noose tightening. a stark, beautiful, sad and frankly terrifying novel. Our Daily Bread is finely crafted, with careful attention to characterization, style and pacing. It succeeds on every level. quot --Robert J. Wiersema, Quill amp Quire . Sept. 2011 ldquoa novel full of remarkable moments. a level of detail that puts us in the beating hearts of imperiled souls. No fact-filled journalistic account, no matter how lurid, could do the same. simple, brave, powerful scenes, skillfully written with an anger no less effective for being tempered ndash scenes that sit with the soul long after the book is closed. rdquo ndash Alan Cumyn, The Globe amp Mail, Oct. 15, 2011 LINKS TO REVIEWS NEW AND SELECTED POEMS: 1960-2010 First trade paperback, 6 X9, 146 pages, 153.50 sh Cover design: Kristin Summers, redbat design Author photo: Zoe Filipkowska quotAlex was my first writing teacher, and 25 years later is still my teacher. His vision is sure and uncompromising. I love this book. quot quotI happen to believe that there are a lot of good poets around at present, but a poet like Alex Kuo, who possesses a highly developed moral sense and a bitter honesty, is rare at any time and especially in this time. We need him. quot quotLine after line, I am surprised and moved by the way his language connects the rhythms of our collective memory, imagination and chance. quot quotAlex Kuos A Chinamans Chance startles its reader out of complacency. Here is writing that doesnt coddle and that keeps one engrossed, questioning, thoroughly awake. Kuos poem-stories deftly resist attempts at a too narrow classification of style--beyond it being his own--simultaneously suggesting while artfully sidestepping any overassumption of autobiography by blending what reads like personal history with inarguable emotional truths. quot --Laurel Leigh, The Bloomsbury Review (Vol. 31, 1) quotAlex Kuo has given us. a book we can be with for many years. a book that feeds my mind and touches my spiritual life. quot ABOUT THE AUTHOR Born in Boston, Alex Kuo spent most of World War II in China, followed by eight years in Hong Kong before returning to the United States. He has lived and worked most of his adult life in Idaho and Washington beginning in 1956 when he signed on a forest fire crew for U. S.F. S. Since 1963 he has taught writing and cultural studies at several colleges and universties on both sides of the Pacific. His first published poems appeared in 1961 in Castalia, Descant and American Weave . Recipient of three National Endowment for the Arts fellowships, he has also been awarded the Lingnan American Studies and Senior Fulbright lectureships, a Rockefeller Bellagio residency, and several research grants. He has been appointed distinguished writer-in-residence at Fudan University. Knox College and Mercy Corps. In 2002 Lipstick and Other Stories received the American Book Award, and in 2010 he received the Alumni Achievement Award from Knox College. WORDCRAFT OF OREGON CHAPBOOK SERIES, 1 BLUE MOON: Poems from Chinese Lines Poems, Vincent Wixon saddle-stitched, 6.25 X 8.25, 36 pages, 8, plus 3.50 sh Book design: David Memmott Author photo: Patty Wixon 29 poems developed from lines from Chinese poems selected from THE COLLECTED SONGS OF COLD MOUNTAIN and POEMSOF THE MASTERS: Chinas Classic Anthology of Tang and Sung Dynasty Verse, published by Copper Canyon Press . ABOUT THE AUTHOR Vincent Wixon is the author of two other books of poetry-- THE SQUARE GROVE (Traprock Books, 2006) and SEED (May Day Press, 1993). He has co-produced documentary films on Lawson Inada and William Stafford, and co-edited two books on writing by William Stafford for the University of Michigan Press. He and his wife Patty live in Ashland, Oregon, and are long-time poetry editors for Jefferson Monthly . the public radio program guide for Southern Oregon and Northern California. FIRST FULL POETRY COLLECTION BY AUTHOR OF quot ABOVE THE CLEARWATER, quot FINALIST FOR THE 2004 OREGON BOOK AWARD IN CREATIVE NONFICTION AT THIS DISTANCE Poems, Bette Husted ISBN: 978-1-877655-69-2, LCN: 2010925248 first trade paperback, 6 X 9, 104 pages, 143.50 sh Cover art amp inside bw croppings: quotAbove 8,quot Don Gray Cover design: Kristin Summer, redbat design Author photo: Dean Husted quotBette Lynch Husted, so richly rooted in the wild Oregon land she inhabits, writes with deep care and conscience. Her poems shun nothing--exploring difficult legacies and the mysterious encroachments of what people do with calm humility and curiousity. She asks the questions. Anything a Box Will Hold cant be missed. When she speaks of the winter wren singing his small whole-bodies celebration amid bright moss, quot thats her voice too, in the giant landscape--comforting and clear. quot --Naomi Shihab Nye quotSpace. Spaciousness. Amidst such vistas, these poems are placed. Visit. Stay. quot --Lawson Fusao Inada quotThis is a poet who will take you on roads you dont know to places where you havent been, the lonesome places, Wallowa, Ahsahka, Imnaha, and on into the gray-crowned night. She travels the far West, the farthest West, farther than the pioneers. She goes the distance. quot --Ursula K. Le Guin quotBette Husteds poems in this collection explore the rural landscape, its peoples and why and how they live there. This is what important poetry is supposted to be, a caring look into a place one grew up and lives in. quot ABOUT THE AUTHOR Bette Lynch Husted lives and writes in Pendleton. Her works include a chapbook After Fire (Puddinghouse 2002) and a collection of memoir essays, Above the Clearwater: Living on Stolen Land (Oregon State University Press 2004), which was a finalist for the 2005 Oregon Book Award and the 2005 WILLA Award in creative nonfiction. Her collection of essays, Lessons from the Borderlands . is forthcoming from Plain View Press. Her essays, stories and poems have appeared in Runes, Fourth Genre, Prairie Schooner, Natural Bridge and other journals. She was a Fishtrap Fellow and received a 2007 Oregon Arts Commission Individual Artist Award. IMPULSE amp WARP: The Selected 20th Century Poems ISBN: 978-1-877655-68-5, LCN: 2010925247 first trade paperback, 7.5 X 9.25, 162 pages, 153.50 sh Cover art: quotInviting the Aliens, quot David Memmott BW ink plates: Brad Winter Cover design: Kristin Summer, redbat design Author photo: Melba Dlugonski quotDan Raphael is one of the finest prophetic poets composing in English. He focuses on his subjects so intently they dissolve and he rearranges the molecules into recombinant linguistic poetry for now and the future. quot --Charles Potts, author of The Portable Potts and Valga Krusa quotMusical, intelligent and perpetually mutable. Impulse amp Warp is a gift of high art made of the raw materials. Essential sound from one of our finest singers. quot Jake Berry, author of Branbu Drezi and Cyclones in High Northern Latitudes quotDan Raphael is from the great tradition--he doesnt want to think about or judge his work. He wants to keep making more: the unstoppable soul importance of the poet, the knowing your friends by the shape of their breaths. Impulse amp Warp is a wild wonderful ride, a kaleidoscope of words, sensations and ideas. quot --Sharon Doubiago, author of My Fathers Love and Love on the Streets quotDan Raphaels poetry lights up the dark abyss with sparks generated by blows from Vulcans hammer. Watch out innocent civilians, friendly fire is headed your way. quot --Casey Bush, Senior Editor of Bear Deluxe Magazine ABOUT THE AUTHOR Dan Raphaels poems have appeared in around 300 publications including Caliban, Central Park, Heaven Bone, Lost and Found Times, Nebula Awards 31, Pacific Northwestern Spiritual Poetry, Tinfish, Otoliths, Portland Review, Unlikely Stories, Short Fuse, Raven Chronicles and x-stream . Among his books of the 21st Century are Showing Light a Good Time (Wordcraft of OregonJazz Police, 2001), Among My Eyes (x-stream, 2002) and Breath Test (nine muses books, 2007). An energetic and intense performer, Dan has given over 200 readings, including places like Bumershoot, Portland Poetry Festival, Powells Books, Cornell University, Red Sky Poetry Theatre, Reed College, Artquake, Southern Oregon University, Moes Books, Portland Jazz Festival, and the Astrochimp Impact Crater. He edited NRG Magazine for 18 years, then published 26 Books (26 chapbooks of 26 pages by 26 authors). Starting at college, he had organized readings and poetry events for over 30 years, including one monthly series that lasted 13 years, and Poetland, where 80 poets read in 8 venues over an 8 hour span. Despite degrees from Cornell, Bowling Green State and Western Washington, Dan has stayed out of teaching, working first for the post office and later for the Oregon DMV. He lives in Portland, OR, with his wife Melba and son Orion. NEW NOVEL BY AUTHOR OF MADISON HOUSE . WINNER OF THE 2005 LANGUM PRIZE FOR AMERICAN HISTORICAL FICTION CLARA AND MERRITT A Literary Historical Novel by Peter Donahue ISBN: 978-1-877655-66-1, LCN: 2010922060 first trade paperback, 6 X 9, 288 pgs, 153.50 sh Cover art: quotBusiness District, quot by Yvonne Twining Humber, courtesy of Martin-Zambito Fine Art, Seattle, WA Cover design: Kristin Summer, redbat design Author photo: Jay W. Shoot Clara and Merritt unfolds amidst the violent strife between longshoremen and Teamsters in Seattle in the 1930s and 40s. When Clara Hamilton, the daughter of a longshoreman, and Merritt Discoll, a member of the Teamsters, fall in love, their relationship is immediately threatened by the fierce antagonism between the rival unions. Encompassing the West Coast labor movement, World War II, the rise of McCarthyism, the Northwest School of Art, and much more, this profound and multi-layered novel explores how people reckon with the larger forces of world events in their everyday lives--and extends author Peter Donahues remarkable investigation of Northwest history. quot Clara and Merritt is rich with details that give life to a little-known chapter of our past. Donahue draws us into a panoramic, dramatic sage--events that affected the entire Pacific Northwest and generations to come. quot --Molly Gloss, author of The Hearts of Horses quotPeter Donahue has crafted an impressive, fully imagined, satisfying drama, and Clara Hamilton ranks among the most endearing and inspiring heroines in Northwest literature. quot --Jim Lynch, author of The Highest Tide and Border Songs quotDecades before Seattle became known for Microsoft and Starbucks, the city was a muscular place where working men labored hard. Peter Donahues Clara and Merritt captures that brawnier city from the 1930s and 1940s when the Teamsters and more radical International Longshoremen Association battled for labor supremacy. Like the best historical fiction, Donahurs well-paced novel. provides a strong sense of place and well-drawn characters to convey its time. quot --Hank Stern, Willamette Week quot. vivid characters, persuasive storytelling, rich noirish detail, and a deep sense of time and place. quot --Eric Scigliano, Seattle Metropolitan Magazine ABOUT THE AUTHOR Peter Donahue is the author of the novel, Madison House . winner of the Langum Prize for American Historical Fiction, and the short story collection The Corneilius Arms. He is co-editor, along with John Trombold, of the anthologies Reading Seattle: The City in Prose and Reading Portland: The City in Prose . He writes the Retrospective Reviews column on Northwest literature for Columbia: The Magazine of Northwest History . and teaches creative writing and journalism at Birmingham-Sourthern College in Alabama. THE FIRE DIARIES Poems by Matt Schumacher ISBN: 978-1-877655-67-8, LCN: 2010921257 first trade paperback, 6 X 9, 100 pgs, 143.50 sh Cover art: quotEagle Nebula, quot Kevin Loren Cornelius Kevins website Cover design: Kristin Summer, redbat design Author photo: Kaley Frank quotIn Matt Schumachers The Fire Diaries . the wheels attempt to grip the violet highway as a car passes through a forest fire. Schumachers poems pivot on a central theme: a poet in utter control of his medium, writing about uncontrolled burning. Schumacher shape-shifts fearlessly, speaking sometimes through the voices of witnesses, and sometimes through the fire itself, as poem after poem spontaneously combusts. This is a terrific book: funny, scary, and visceral. quot --Angela Sorby, author of Bird Skin Coat quotTo read a Matt Schumacher poem is to enter a world of riotous word riffs and fire-related incantations. Meditative, hauntingly chaotic, and beautiful, these poems will singe your memory. This ample collection glows with great personal and historical revelatory spark. quot --Virgial Saurez, author of 90 Miles: New and Selected Poems quotIn The Fire Diaries . Matt Schumacher draws on accounts ranging from the great Chicago fire to the Buddhist monk Thich Quang Ducs self immolation and ignites them with the minds embroidery to take his readers on an unexpected and transformative journey. Through the intermediary of his rich lyrics, Schumacher. calls his readers to see beyond the ordinary. quot --Kirberly Blaeser, author of Apprenticed to Justice and Absentee Indians ABOUT THE AUTHOR Educated at the University of Maine and the Iowa Writers Workshop, Matt Schumacher is a vagabond transplant who considers himself an Oregonian. His first collection of poetry, Spilling the Moon . made its debut with Wordcraft of Oregon in March 2008, and his poems have recently appeared in ZYZZYVA, Green Mountains Review, Sub-Lit, basalt, and Portland Reivew . A short version of this collection, Fire Diary . was chosen by Matthea Harvey as the winner of the Well Lit Press chapbook contest in spring 2008. He lives with his wife, Kaley, and is pursuing a doctorate in EnglishCreative Writing at the University of Wisconsin-Milwaukee. DEPARTING BY A BROKEN GATE Poems by David Axelrod ISBN: 978-1-877655-65-4, LCN: 2009938236 first trade paperback, 6 X 9, 92 pages, 143.50 sh Front amp back Cover images: courtesy of MorgueFile Cover design: Kristin Summers, redbat New collection of poems by the author of The Cartographers Melancholy . winner of the 2004 Spokane Prize for Poetry and finalist for the 2006 Oregon Book Award in poetry Praise for previous work: quotAxelrods poems are a moving journey into a landscape where we are all pilgrims making our way down dark roads in search of some transcendent moment that may never occur, yet the will to keep traveling impels us ever forward until we reach a kind of solace and release. quot --Ai, author of Dread quotThought provoking. often lyrically tender. quot --Barbara McMichael, reviewere for The Olympian quotDavid Axelrods fine, elegaic and lyrical poems express a sense of loss the contemporary mind must endure, unaccommodated, on the edge of betrayed nature and nothing. quot --Paul Nelson, author of Sea Level ABOUT THE AUTHOR David Axelrod is the author of four previous collections of poems, including Wordcraft of Oregon titles, The Kingdom at Hand and Chronicles of a Withering State . His collection of cultural and environmental essays about the interior Northwest, Troubled Intimacies . appeared in 2004. His poems and essays have been published in New Letters, Boulevard, Alaska Quarterly Review, Quarterly West, River Styx, Verse Daily, among others. He also edits basalt. a journal of fine amp liteerary arts. THE PROCESSION OF MEMORIES: Selected Poems 1929-1945 Harry Martinson, the Swedish Nobel Prize Winner A New Bilingual Edition Translated by Lars Nordstroumlm ISBN: 978-1-877655-64-7, LCN: 2009927703 first trade paperback, 6 X 9, 124 pages, 143.50 sh Cover Painting, Eldareportraumltt Portait of a Stoker by Sketch of Harry Martinson by Swedish artist, Arne Cassell Sketch of clipper ship by Harry Martinson Photo of Lars Nordstroumlm: Cynthia Nordstroumlm Cover Design: redbat design, Kristin Summer Interior Design: David Memmott Fatherless and abandoned by his mother at age six, Nobel Laureate, Harry Martinson, grew up mostly in rural foster homes in the south of Sweden in the early years of the 20th century. He left school at thirteen and became a sailor and vagabondmdasha global nomadmdashat sixteen. After permanently leaving the sea in 1927, he began to transform the story of his life into art. He painted, wrote poetry, autobiography, fiction, drama and essays. Using imagery and language that was fresh and striking, readers found his books moving and appealing, and he quickly wrote himself into the hearts of Scandinavian readers. Today, Martinson is still a widely read author in Sweden and new translations of his work continuous to find readers around the world. In this bilingual edition, translator Lars Nordstroumlm introduces the reader to Martinsonrsquos early work as a poet. None of the 60 poems included here have ever been translated into English previously. ABOUT THE TRANSLATOR Lars Nordstroumlm was born in 1954 in Stockholm, Sweden, where he lived until 1974. He was educated at the University of Stockholm and Portland State University in Portland, Oregon, where he received a BA in English in 1981. He then moved to Uppsala University, Sweden, where he received his Ph. D. in American literature in 1989. He is the recipient of several Fulbright grants, a Scandinavian Foundation grant for academic research in the USA, several Swedish Institute grants and awards, a Dagmar and Nils William Olsson Fellowship, as well as a Rockefeller Foundation Bellagio Center Fellowship. In 1988 he settled with his wife and two sons on a small vineyard in Beavercreek, Oregon. For many years Lars Nordstroumlm worked as a technical translator in the high tech industry, but now divides his time between growing wine grapes and writing and translating literature, as well as giving talks on various Swedish-American subjects. Lars Nordstroumlm has published prose, poetry, translations, oral histories, interviews, articles, and scholarly materials in Sweden, Norway, Finland, Canada, Japan and the United States in magazines such as Studia Neophilologica, Alchemy, Horisont, The Great River Review, the new renaissance, Translation, The Greenfield Review, The Swedish-American Historical Quarterly, Calapooya Literary Review, Hubbub, ICE-FLOE, Northwest Review, Oregon Literary Review, PRISM International, International Poetry Review, The Chariton Review . WRIT and many more. For an up-to-date list of Lars Nordstroumlmrsquos writings, please visit WINNER OF THE DELTA AWARD FROM FRIENDS OF MORRIS LIBRARY (SOUTHERN ILLINOIS-CARBONDALE) A DEMOCRACY OF GHOSTS a novel by John Griswold ISBN: 978-1-877655-63-0, LCN: 2009920772 first trade paperback, 6 X 9, 192 pages, 13.953.50 sh Cover Art: October 1916 cover of The Masses Cover Design: redbat design, Kristin Summers Author Photo: Josh Birnbaum A Democracy of Ghosts is the love story of four couples, set against the backdrop of the Herrin Massacre of 1922. This clash of miners and strikebreakers in Bloody Williamson County, in Southern Illinois, resulted in the deaths of 21 men -- 19 of them the quotscabsquot tortured and murdered by average men, women, and even children in what was once the most radical community in America. John Griswold has drawn from contemporary eyewitnesses and news accounts, an ethnography of the area, histories, and his own grandfathers letters to create the lives of four fictional couples whose ambitions, self-doubts, and social and sexual jealousies contribute to this great American violence that still echoes down through time. quotAt times disturbing and tragically violent, always insightful, poignant and uncompromising, Griswolds riveting narrative is filled with complex men and women bursting with life. Fast-paced and powerful, Ghosts is an original ride told by a masterful writer. quot --Duff Brenna, author of The Law of Falling Bodies quotWith iron and blood, it seems, and from the rich depths of the earth, John Griswold has fashioned a classic American novel, its dignified intonations of our young nations sweat and tears evocative of the indelible storytelling of Dos Passos, Frank Norris, and Upton Sinclair. quot A Democracy of Ghosts has been selected as the winner of the Delta Award from Friends of Morris Library (University of Southern Illinois - Carbondale) in recognition of an individual or organization that has written published about southern Illinois with distinction. John Griswold joins such luminaries as John Gardner, Paul Simon and Robert Coover as winners of this award. ldquoA brilliant and lyrical historical novel, Democracy of Ghosts conjures the affairs behind one of the most violent labor disputes in American historymdashthe brutal killing of 21 scabs and coal miners at a strip mine in southern Illinois in 1921. In some ways a horrifying cautionary tale for todayrsquos mining conflicts in the coalfields. Democracy of Ghosts explores the entangled love affairs between couples caught up in the great coal mining strike that ultimately shattered a region, and turned one of the most radical communities into a social pariah. Griswoldrsquos narrative is riveting. This original novel deserves as large an audience as possiblemdashpass the word. rdquo --Jeff Biggs, The Huffington Post (112909) ABOUT THE AUTHOR John Griswold lives with his wife and sons in Urbana, Illinois, where he teaches at the Univesity of Illinois. HIs writing has appeared in Ninth Letter . Brevity and Natural Bridge . which nominated him for the Pushcart Prize, and in the anthhologies The Best Creative Nonfiction, Vol. 3 (W. W. Norton) and Mountain Man Dance Moves (McSweenys Books). His single-story chapbook, The Stork . is available from Featherproof Books. Hes currently at work on a nonfiction book about Herrin, Illinois, which will be published in 2010 by The History Press. John has also written extensively under the pen name Oronte Churm. As Churm, he is a contributing writer for Inside Higher Ed and as a columnist for McSweeneys . quotWhere the Yellow Brick Roadquot from GIVING IT AWAY was selected as a finalist for Western Writers of America 2010 Spur Award for Western poem category. poems by David Memmott ISBN: 978-1-877655-62-3, LCN: 2008943602 first trade paperback, 6 X 9, 176 pages, 143.50 sh Cover art: David Memmott Inside art: David Memmott Author photo: Sue Hoyt quotRich in personae--Dreamer, Warrior, Traveler, Gardener, Lover, Son, Witness, Poet--David Memmotts Giving It Away is mature, sophisticated, visionary work. These diverse poems range far and near, inside and out of time and place. They intimately explore what we all want to know: How does the dream of life shape our every waking moment What happens in a day under these wheeling infinite stars Are harmony and wisdom possible Readers everywhere may savor the fruits of Memmotts amazing range of replies and his passionate quest for the universal round--our common dance. quot --George Venn, author of Marking the Magic Circle and West of Paradise quotDavid Memmotts sense of place extends from his piece of ground in northeastern Oregon to the space-time continuum of the universe itself. By turns prophetic, polemical, sensual, and humorous, these poems speak in stalwart witness to the outer and inner landscapes that he calls home. quot --John Daniel, author of The Far Corner quot Giving It Away is infused with the generous and expansive spirit its title evokes. The center of the book is a powerful narrative poem, Where the Yellow Brick Road Turns West. From that center he unfolds the harsh but saving rituals of survival in the rual west: paying homage to his mother who escaped an abusive husband and took him to a new life, celebrating stacked firewood and the song of wintering over birds, responding to the works of other writers, confronting a flatline stretch of lonesome highway, and suffering the bite of winter which nevertheless brings with it snow slumping awayunder the steady Chinook of our most welcome touch. A fine and fresh contribution to the literature of the northwest. quot --Barbara Drake, author of Bees in Wet Weather and Writing Poetry quotDavid Memmotts fifth book of poetry is an engaging celebration of life in Eastern Oregon--and the many strong poems resonate with a lyric vitality. quot --Peter Sears, author of The Brink Read Memmotts long poem, quotWhere the Yellow Brick Road Turns West, quot published as an e-chapbook on Poets and WritersWeb del Sol, edited by Walter Cummins and Thomas E. Kennedy Read Memmotts long poem, quotDisciples of Paradox, quot a tribute to Stephen W. Hawking, in Strange Horizons archive. Nominated for a 2009 Rhysling Award in the long poem category. ABOUT THE AUTHOR David Memmottrsquos work has appeared in mainstream as well as genre magazines and anthologies. HIs previous books of poetry include House on Fire . a limited edition of 100 copies published by Jazz Police Books The Larger Earth: Descending Notes of a Grounded Astronaut . published by Permeable Press Within the Walls of Jericho . 26 Books and Watermarked . published by Traprock Books. His poems have appeared in a number of magazines and anthologies including Deer Drink the Moon: Poems of Oregon, Salt: An Anthology of Oregon Coastal Poetry, Years Best Fantasy and Horror, NebulaAwards 27, Alchemy of Stars: An Anthology of Rhysling Award Winners, High Desert Journal, Windfall: A Journal of Poetry of Place, Strange Horizons, The Jefferson Monthly. He co-edited, Angel Body and Other Magic for the Soul . with Chris Reed of BBR Publications, selected as a finalist for the British Fantasy Award for best antholgy of 2003. He is also the author of a story collection, Shadow Baones . and a postcyberpunk novel, Primetime . which Paul DiFillipo, in his review for Isaac Asimovs SF Magazine . called quotphilosophic sf at its best. quot WINNER OF 2009 WILLA AWARD IN POETRY FINALIST FOR ERIC HOFFER AWARD BETWEEN DESERT SEASONS, poems by Ellen Waterston ISBN: 978-1-877655-60-9. LCN: 2008934447 first trade paperback, 6 X 9, 106 pages, 143.50 sh Cover art: Ingrid Lustig Author photo: Carol Sternkopf Cover design: Kristin Summers, redbat design quotThe music of Ellen Waterstons language in Between Desert Seasons is touching and vibrant, fiery raw and refined, reined in and set free. The endings of so many of these poems are startling and perfect, compelling re-readings just to experience again the turn of logic and imagination that created them. Im grateful for the open voice of this book that has allowed me to enter places, meet people, and experience ebvents I might otherwise have missed. quot --Pattiann Rogers, author of Wayfare quotThe poems in this collection search for a way beyond loneliness of self first by naming that loneliness and then by threading connections to the multi-layered world beyond the self. In Between Desert Seasons Waterston has found a way to quotplant words strong enoughquot to do the work of describing what it means to be human. quot --Wendy Mnookin, author of The Moon Makes Its Own Plea quotThe men and women in these poems travel diverse landscapes from Oregon to Baja in search of love, solace, and the meaning of a touch. Ellen Waterston creates vivid, singular moments that shine beyond the words on the page. quot --Kent Nelson, author of The Touching That Lasts quotThe truth is: Ellen Waterstons poems arrive. They situate themselves naturally, to proceed in compelling, telling ways. Each poem leaves something behind. quot -- Lawson Fusao Inada, Oregon Poet Laureate and author of Legends from Camp quot Ellen Waterstons new poems come from years of living in a desert of high revelation. Her poems create an oasis for all of us--a clear, remote, and vital spring, a womans life beyond any macho western settlers museum or mirage. quot --George Venn, General Editor of the Oregon Literature Series and author of West of Paradise ABOUT THE AUTHOR As a New Englander who married and moved to the ranching West, Waterston grounds her writing in both of those cultural and geographic landscapes. Her award-winning essays, short stories and poems have been widely published in numerous journals and anthologies. Her memoir, Then There Was No Mountain . Rowman and Littlefield publisher, was selected by the Oregonian as one of the top ten books in 2003, and nationally was a Foreword and WILLA finalist earning her an appearance on Good Morning America with Diane Sawyer. Her collection of poetry, I Am Madagascar . was awarded the WILLA Prize in Poetry in 2005. She is the winner of the 2007 Obsidian Prize in Poetry, the 2008 Oregon Quarterly Essay Award and the author of two childrfens books, Barneys Joy and Tea at Miss Jeans . Roberts Rinehart publisher. Waterston is the recipient of numerous writing residency followships and honors, including the 2005 Fishtrap Writer-In-Residence, a 2003 Special Literary Fellowship for Women Writers given by Oregons Literary Arts, and a 2007 honorary PhD in Humane Letters from Oregon State UniversityCascade Campus for her work as an author and in support of the literary arts. She is the founder of the Writing Ranch writingranch. which supports writers through seminars and retreats, and is director of The Nature of Words thenatureofwords. org. an annual literary event held in Bend, Oregon the first weekend of November. Where the Crooked River Rises . a collection of personal and nature essays on the High Desert is slatedfor publication in 2009. She is working on a novel. Waterston received her Bachelors degree from Harvard University and Masters degree from the University of Madagascar. FINALIST FOR 2009 WASHINGTON STATE BOOK AWARD IN FICTION WHITE JADE amp OTHER STORIES . seven short stories and a novella ISBN: 978-1-877655-61-6, LCN: 2008928198 first trade paperback, 6 X 9, 186 pgs. 13.953.50 sh Cover design: Kristin Summers, redbat design Author photo: Zoe Filipkowska quotAlex Kuos writing refuses to be pinned down, traveling from playful wit and searing sarcasm in eastern Oregon, to sorrowful tragedy in Shanghai. While the stories are dizzyingly smart and mischievous, the novella illuminates the depth of Kuos talent for humanizing historical circumstances with fiercely vivid characters. White Jade deconstructs and re-imagines the purpose and power of the literary autobiography. quot -- Aimee Phan, author of We Should Never Meet quotI first fell in love with American literature through the poems and stories of Alex Kuo. This gorgeous and intelligent book confirms that love. Ill be reading Alex until the end of days. quot -- Sherman Alexie, author of Flight and Indian Killer ldquoFor Kuohellip language is always political. As an Asian-American writer, Kuo has spent a career writing and living in China and the American West. The tension in his fiction is the anger, humor, irony and confusion you feel when you come from two worlds, neither of which really accepts youhellipand Kuo tells it with the steady gaze of a poet and with great empathy. rdquo ndash Richard Wallace for The Seattle Times quotWriter Alex Kuo challenges the perimeters of Asian American identity in his collection of short stories, White Jade and Other Stories. In this latest publication, Kuorsquos characters offer a fresh perspective on the aftermath of transplanting onersquos ancestral roots, from a recent Washington State University (WSU) graduate, ill-proficient in wielding chopsticks and unable to speak any Chinese dialect, to a promising student from 1920s Shanghai who flees to California amidst political unrest in her homeland. Given the wide divergence of each characterrsquos historical and cultural reference points, the common thread of their Chinese heritage provides a focal theme, albeit with unexpected variations. quot Nancy Young Kwon, International Examiner Volume 35, No. 22 ABOUT THE AUTHOR Alex Kuo has been an administrator and a teacher of writing, literature, ethnic and cultural studies at several American universities. He has also taught writing, translation and American literature in Chinese universities. He has three National Endowment for the Arts awards, and grants from the Bureau of Indian Affairs, the United Nations, Artist Trust, and the Idaho, Pennsylvania and Washington state arts organizations. He has been awarded a Senior Fulbright, a Lingnan, and a Rockefeller Foundation Bellagio residency. He has also held the positions of Writer-in-Residence for Mercy Corps and Distinguished Writer-in-Residence at Knox College. In 2008 he was invited to be the Distinguished Writer-in-Residence at Shanghais Fudan University. More than three hundred-and-fifty poems. short stories, photographs and essays have appeared in magazines and newspapers. HIs most recent books are This Fierce Geography (poems1999), Lipstick and Other Stories (2001) which received the 2002 American Book Award, and The Panda Diaries (novel2006). 2009 GOLD MEDAL WINNER OF IPPY AWARD FOR HISTORICAL FICTION HONORABLE MENTION FOR ERIC HOFFER AWARD IN GENERAL FICTION FINALIST FOR FOREWORD MAGAZINES BOOK OF THE YEAR AWARD IN FICTION SMALL PRESS REVIEW PICK, Sept. Oct. 2008 KATHERINES WISH . a literary historical novel based on the lives of Katherine Mansfield, Ida Constance Baker, and John Middlebury Murry by Linda Lappin ISBN: 978-1-877655-58-6, LCN: 2008925492 First trade paperback, 6 X 9, 228 pgs. 153.50 sh Cover photo by Linda Lappin Cover design by Kristin Summers, redbat design quot Lappin has built on textual evidence from journals, letters, and diary entries in order to adhere to ldquoan overall sense of truthrdquo which she renders as her own mosaic. Her writing style, with its rhythm, flow, and sensual detail, richly evokes the significant social scene of a vanished era. quot quotIts not an easy or siimple thing to write fiction which that keeps faith with the life it is based on, so the reader will say There is nothing here that falsifies, as well as This has the imaginative flair of story telling, the freedom of its form. Linda Lappin has immersed herself in Mansfields life, and emerged from it with a story to to narrate on her own terms, a fiction charged with the enthusiasm of a good researcher, and carried through with a novelists verve. quot --Vince OSullivan, co-editor of The Collected Letters of Katherine Mansfield ldquoLappin weaves a tale that is triumphant, genuine and tender in its unfolding. With vivid details and imagery born of careful research, she brings Mansfield to life, her voice so clear and authentic we are convinced that she is more than Lappins character. She is Mansfield: sexually reckless, socially excitable, temperamentally damaged, spiteful and cruel, appealing and vulnerable. She is Mansfieldmdasha tragic and unconventional heroine. rdquo -- R. A. Rycraft, Perigee: Publication for the Arts . Issue 23, January ndash April, 2009 quotA dramatic retelling of a story about an artist oppressed by the odds, Katherines Wish gives narrative to the chaotic last years of Katherine Mansfields life. Lappin draws from letters and other historical documents to bring the last years of Mansfields life into bring, making Katherines Wish an intriguing and highly recommended piece of writing. quot -- The Midwest Book Review quotKatherines Wish is a beautifully observed novel that reveals a core truth: that Mansfields was not so much a creative life cut short as one that flourished so long against all odds. quot quotKatherines Wish, fifteen years in the making, is a dazzling bit of fictional sorcery, conjuring to life the bright and talented swirl of modern society in the 1920s. This novel is a must read, whether you have historical interests per se or only enjoy a story so compelling and moving that theres no putting it down. I certainly couldntquot -- David Lynn, Editor, the Kenyon Review quotThe author of two critically successful historical novels, Prisoner of Palmary and The Etruscan , Linda Lappin turns her gifted hand to fictional biography in Katherines Wish . Like the new biography of Lytton Strachery and analogous fiction by Virginia Wolff, Lappins fictional life of Mansfield recreates the ineffable, rainbow-like essence of a human being from the inside perspective of three people: Mansfield herself, her traveling friend Ida Baker, and her husband, John Middleton Murry. quot -- Wayne K. Chapman, Editor, The South Caroline Review LINDA LAPPIN READING FROM KATHERINES WISH (MP3s) : ABOUT THE AUTHOR Linda Lappin is the author of The Etruscan (Wynkin de Worde, Galway, 2004) hailed by critics as a new classic in American writing about Italy. Semi-Finalist for the 2000 Three Oaks First Novel Prize awarded by Story-Line Press, in Oregon, The Etruscan was selected as a Book of the Week by Book View Ireland and praised by the Literary Review as quotcompelling, haunting, intriguing, quot and by Prairie Schooner as quotgorgeously detailed, wickedly fun. quot She is also the author of Prisoner of Palmary, an experimental historical novel set in 18th century Italy, short-listed for th e Mid-List First Novel Award in 1999. Her essays, poetry, reviews and fiction have appeared in a wide avriety of US publications, from the Kenyon Review to the Kansas City Star . She has twice been nominated for a Pushcart Prize. The last chapter of Katherines Wish was short-listed for the Eric Hoffer short fiction award in 2007 and was published in Best New Writing 2007 . She teaches Creative Writing for the U. S.A. C. Study Abroad program in Viterbo. She also directs the Writing Center of Centro Pokkoli pokkoli. org Her forthcoming books include Signatures in Stone, a mystery novel set in Bomarzo, Italy, and Spirits of Place . a creative writing textbook. 2009 FINALIST FOR OREGON BOOK AWARD IN FICTION (KEN KESEY AWARD) 2009 NEXT GENERATION INDIE BOOK AWARD GOLD MEDALIST FOR SHORT STORY - FICTION, AND FINALIST IN SCIENCE FICTIONFANTASY LISTED AS ONE OF THE TOP TEN BOOKS OF THE YEAR IN SCIENCE FICTIONFANTASY BY BOOKLIST. CRAZY LOVE . stories ISBN: 978-1-877655-59-3, LCN: 2008921844 First trade paperback, 5.5 X 8.5, 200 pgs. 13.95, plus 3.5 sh Cover design: Kristin Summers, redbat design quotQueen of Gonzo What (Olympic Games ) drags love out of its gooey, schmaltzy rut and takes it for a joyride in this exuberant collection of 17 stories. No matter how brief or long, no matter how bizarre, each tales in this collection grabs readers and demands they rethink how they see all the myriad forms of love. quot -- Publishers Weekly Starred Review quotAn ace at the new weirdness defined by the anthology, Feeling Very Strange (2006), What uses it to be creepy, polemical, and funny, all at once or in various blendings. These 17 stories progress from grim to laugh-out-loud ludicrous without ever derogating their common subject, love, though they do depict it as fairly insane. quot -- The Booklist Starred Review (July 2008) quotLeslie Whats wild and risk-taking fantasy tales have been largely overlooked, but her latest short story collection offers a great opportunity for wideer attention. Babies is a blistering allegory of motherhood that fuses together bug exterminators, marital problems and obsessive solicitude in 13 pitch-perfect pages. The storys heroine carries the extra weight and protective quality of human pregnancy, while mothering cockroaches that always came to her side whenver the bugman sprayed the landlords kitchen. Paper Mates is a clever story in which paperwork quite literally reproduces like rabbits. Whats stories, like Ray Bradburys and Richard Mathesons, rely on high concepts to carry the narratives forward, but her prose works best when it is concise. Nearly every tale offers an unexpected surprise, but never feels too gimmicky. This is a universe in which one should never underestimate a woman in a ratty gorilla suit, even if her ability to speak with gorillas may very well be her only means of communication. quot -- Edward Champion, Washington Post Book World (October 12 - 18, 2008) quotThis quirky short story collection has been almost completely overlooked by readers who look at the fantasy genre with the same frightened isolationism readily observed in George W. Bushrsquos move to a neighborhood terrified of non-Caucasian residents. Thatrsquos a great shame, because there are invaluable lessons here on how to take a wild idea and make it concise and enthralling. The collection contains unsettling allegories and gleefully imaginative premises. There isnrsquot a single story in here that doesnrsquot take some kind of narrative gamble. And while the dice-rolling doesnrsquot always pay off, it certainly remains hot in your hands. quot --TOP TEN BOOKS OF 2008, written by Edward Champion, Washington Post reviewer, from his blog, Reluctant Habits, edrants:80top-ten-books-of-2008 quotWhat demonstrates a gift for delving into heart-wrenching matters with a lightness of touch. Pain, joy, self-deception, guilt: these are the places crazy love takes us. What know them well. quot --L. Timmel Duchamp, American Book Review Line on Line quotIronic and uncompromising, Leslie Whats collection is also unfailingly humorous and boldly creative, frequently outlandishly so. What has written an enlightening examination of the most crazy-making endeavor in which our species obsessively engages. It drives us crazy-Crazy Love. quot quotIf unbearable guilt makes you wish to suffer vicariously, and professionally, for others if you suddenly find yourself the father of thousands and thousands of children if your ambition is to occupy the Chair of Hermit Studies at the University of Oregon, or to be a ghost in a hot-air balloon, or if you have considered wearing a gorilla mask while having an abortion -- Crazy Love is your operating manual. These seventeen achingly funny and hilariously sad stories will give you invaluable advice on how to love, how to be crazy, how to be human. quot -- Ursula Le Guin, author of quot Crazy Love is crazy good Leslie Whats brain is evidently crowded with strangeness, awfulness, wonderfulness, wildness, madness of all kinds. and love. Lots of love. How lucky we are that her imagination runs deep, runs true, runs onto the page in crazily beautiful stories -- and lucky, so very lucky, to be holding those stories right now in our hands. quot -- Molly Gloss, author of quotCount on Leslie What to give you something you never counted on. Original, delightful, and always, always surprising. quot -- Karen Joy Fowler, author of ABOUT THE AUTHOR Leslie What (Glasser) is a Nebula Award-winning writer and the author of a novel, Olympic Games . and a short story collection, The Sweet and Sour Tongue. She has worked as a charge nurse in a nursing home, in an unlocked psychiatric facility, as a manager for a low-income meal site, and as a maskmaker and artist. She currently teaches in The Writers Program at UCLA Extension. Her work has been published in a number of anthologies and journals, including Parabola, Asimovs, The MacGuffin, Realms of Fantasy, The Clackamas Review, SciFiction and Midstream . Called quotThe Queen of Gonzoquot by Gardner Dozois, her work has been translated into German, Italian, French, Japanese, Russian, Greek and Klingon. SMALL PRESS REVIEW Poetry Pick SPILLING THE MOON . poems by Matt Schumacher ISBN: 978-1-877655-57-9, LCN: 2008920991 First trade paperback, 6 X 9, 102 pages, 123.50 sh Cover art: quotThe Red Chair, quot Jessica Plattner Cover design: Kristin Summers, redbat design quotMatt Schumachers poetry challenges the reader to imagine a rich, dreamy world where the improbable is never impossible, and the impossible is brought to life by the author, a puppet master with convincing zeal for all that is alien about being human. quot quotThese poems are travelers abolishing distances at every turn. The journey from mirage to mountaintop, from haunting to home-place, and from crime to new creationmdashall suddenly effortless now thanks to the gracious turns of SPILLING THE MOON. quot --Donald Revell, author of A Thief of Strings quotWhere language is audacious as a pterodactyl-esque wingspan and tight as the rhyme between astronaut and not, in Matthew Schumacherrsquos new book SPILLING THE MOON, Selene is an originating source: I rsquom meeting with the moon all afternoon Schumacher writes in Lunar Ghazal. Schumacherrsquos poems are big-hearted, humane, filled with mad - mad love for this life and an abundance of wit. Meditations on symbolist portraits by Arnold Boumlcklin along with carnivalesque dances on the moon, rain, an aluminum fishing boat, an abandoned lighthouse on Lake Huron, all claim our attention and warrant revisitings. In SPILLING THE MOON for every blast beyond gravityrsquos architectonics therersquos a counter-balancing measure, and we. fall like rain gently back into our footsteps. rdquo --Robert Grunst, author of The Smallest Bird in North America quotThe imaginationrsquos redemptive powers cartwheel and cavort in Matt Schumacherrsquos SPILLING THE MOON, a phantasmagoria of breathtaking verbal ingenuity, the non-stop astonishments heeding Keatsrsquos advice to Shelley that every rift of the subject be loaded with ore. These poems render the daily extraordinary and the impossible vividly plausible, their multifarious speakers boasting audaciously tender braggadocio. Matt Schumacherrsquos poems, big-hearted and heartbreaking, amaze and delight. quot -- Aaron Anstett, author of Each Place the Bodys SAMPLE 3: quotIn High Speed Pursuit of Romancequot(PDF) ABOUT THE AUTHOR Matt Schumacher possesses hard-earned degrees in poetry and poetics from the University of Maine and the Iowa Writerrsquos Workshop. His poems have been nominated for a Pushcart Prize, and have won a Willamette Writers Kay Snow Award and a Hayna Award. Theyrsquove also been anthologized by Manic D Press and performed live by a punk rock band named the Iowa Beef Experience. Schumacher has taught writing, literature, and humanities at a cornucopia of collegiate institutions and correctional facilities in California, Iowa, Illinois, Maine, and Washington. He currently teaches at Eastern Oregon University. SELF INTERVIEW: MARCH 2008 (PDF) SOON ENOUGH, poems by Donald Wolff ISBN: 978-1-877655-56-2, 1-877655-56-2 First trade paperback, 6 X 8.25, 88 pages, 12 Cover art: quotJourney, quot by Terry Gloeckler Cover design: Kristin Summers, redbat design Limited edition of 500 copies quotDonald Wolffs Soon Enough is a book haunted by danger, affliction, imminent disasters, and his poems are talismans against this ferocious onslaught. With these poems, Wolff stares down catastrophe and peril, and celebrates the sheer wonder of our survival-- the glory of our sad, fragile, beautiful lives. quot mdashGary Young, No Other Life quot Soon Enough s landscape is western, cut through by canyons and rivers, populated by bear, even the bison. Reality arises from the details of a life fully lived there: fatherhood, work, memory and hope. The best poems in this collection are the darkest, the squirrel in the belly of a coyote, a man in the grip of his life. quot mdashDorianne Laux, Facts About The Moon quot Soon Enough is a remarkable book of poetry if only for its range, the control of many contemporary modes--prose poems, short lyric poems, long line ekphrastic poems, multi-sectioned symphonic poems--each one with authority and a mastery of craft. And throughout, there is a sure, accessible, and memorable voice. This is a book of grit and gravity, of grace pushing for all it can against mortality. Wolff risks a great deal personally and intellectually, and cuts down to the bone, to the essential meaning. quot --Christopher Buckley, . and the Sea, Sleepwalk ABOUT THE AUTHOR Donald Wolff lives and works in La Grande, Oregon. At Eastern Oregon University, he teaches courses in creative writing and applied linquistics, co-directs the Oregon Writing Project, and currently serves as Chair of the Division of Arts and Letters. He was born and raised in California, which informs many of his poems about the past, while life with his family in La Grande has so far guided many of his poems about the present. In May 2004, he was a resident writer at Fishtrap. His chapbook, Some Days . was printed in 2004 by Brandenburg Press. SMALL PRESS REVIEW Poetry Pick PAPER BIRD . poems by Pamela Steele, ISBN: 978-1-877655-54-8, 1-877655-54-6 First trade paperback, 6 X 8.25, 76 pages, 12 Cover photo: SManohar, courtesy bigstockphoto Cover design: redbat design Limited edition of 500 Small Press Review quotPickquot for Jan. - Feb. 2008, Vol. 40, Nos. 1 - 2, Issues 420 - 421. ldquoSteele transforms the ordinary--cupping moments like the source of light in the palms of her hands. Here, she says, see beyond our time here. Paper Bird is a luminous collection of poems. Honest and spare, wistful and haunting. rdquo mdashDebra Magpie Earling, Perma Red ldquoSteelersquos poems are honest and visceral. They get under the skin and instruct us on how to squeeze our eyes tight and still see real beauty in the world. An important collection of love letters to everything that bleeds. rdquo mdashFrank X Walker, Black Box and Buffalo Dance: The Journey of York ldquoPamela Steelersquos poems are compassionate and descriptive, steeped with a quiet wisdom, opening doors to the profound insights and sensualities of the ordinary. Her poems are both lyrical and narrative, with an intelligent, introspective voice. They are infused with a seductive music, and with duende. rdquo mdashMichael Spring, blue crow and Mudsong ldquoThe heart of Pam Steelersquos poems beats for all of us. rdquo mdashPeter Sears, The Brink ABOUT THE AUTHOR Paper Bird is Pamela Steelersquos first full-length book of poetry, though she previously published a chapbook of poems ( Other Rivers, Distant Song, Spring Tree Press, 1997). Pamela is a Fishtrap Fellow who recently completed her MFA from Spalding University of Louisville, Kentucky. While in the writing program there, she was honored with the Jim Wayne Miller Poetry Prize from the Kentucky Writers Coalition. A turning point in her career came halfway through the MFA Program when two mentors, separately on the same day, told her it was time she got honest and stopped writing around what she wanted to say. ldquoUp to that point, Irsquod been using imagery to flirt with ideas, but Irsquod never written about the difficult topics Irsquove since addressed. rdquo Pamela was recently awarded an artistrsquos fellowship from Jentel Foundation and spent a month living and writing on a working cattle ranch in Wyoming. ldquoThat lifestyle attracts me, rdquo she says, ldquoespecially the landscape of the West, so I started a chapbook of poems about my experiences on my partners small horse outfit on the Umatilla Indian Reservation. My father was a West Virginia boy who came out to Oregon to be a horseman, so thats a thread of my life that I want to keep. rdquo Pamela teaches at Hermiston High School and hopes to teach at the collegeuniversity level. PRIMETIME . Book One of Dreamers Round a postcyberpunk novel by David Memmott ISBN: 978-1-877655-53-1, 1-877655-53-8 First trade paperback, 272 pages, 153.50 sh Cover art collage: Kristin Johnson amp David Memmott Images for collage: bigstockphoto Cover design: redbat design If you think the world is crazy now, just wait. Worldbenders are trained to re-invent the past. Benito Cortezar creates a perfect past only to find it haunted by forces he cannot control. A shadow at the core of Primetime threatens our very humanity. So many depend on Benito, even the dead. At the watershed of human and posthuman, in the clash between Dreamtime and Primetime, a gaggle of fractured heroes are caught up in a struggle between those yet to come and those waiting to come back. ldquo Primetime gives us a future where the sun shines while mythologies and realities of the past and future collide thanks to the emerging technology. Itrsquos a pleasure to read. Come to think of it, it also comes close to my fantasy of science fction that makes you want to get up and dance. rdquo mdash Ernest Hogan, High Aztech . Cortez on Mars . Smoking Mirror Blues quotThis novel explores the battle between two notions of virtual reality, one meant to allow people to experience the ldquorealrdquo, the other opening directly onto the id and an individualrsquos darkest fantasies. Add in the complications of an alien presence, virtual joyriders, and different strata (and substrata) of the real (and the unreal), and yoursquove got a sf novel that doubles as a philosophical meditation on the nature of human reality. Move over, Second Life: Primetime is here. rdquo --Brian Evenson, The Open Curtain , finalist for 2006 International Horror Guild Award quotMemmott is intent on examining deep epistemological and ontological issues concerning the way humanity fashions its own reality, but he embeds his questions in a captivating thriller. This is philosophic SF at its best. quot -- Paul Di Filippo, quotOn Booksquot Isaac Asimovs SF Magazine, July 2008 quotA dizzying debut novel explores an extreme near-future that explodes into a post-cyberpunk extravaganza. Primetime is, inarguably and admirably, ambitious. and it will be interesting to see where the author goes from here. quot ldquoMemmott puts the stimulus of Philip K. Dick and William Gibson to good use, creating a story that takes the best of both and adds his own vision of the future to them, giving us characters that are original and engrossing, characters that we care about. This ability isnt common in science fictionhellipThe point is: its not easy to lift sci-fi to the level of literature, but Memmott has done it in brilliant fashion in Prime Time. rdquo Issue 20, April-May, 2008 quotIn Primetime . David Memmott. gives us a post-cyberpunk novel thats both entertaining and thought-provoking. A world of virtual reality that is futuristic and complex is brought to life by dazzling description. Overall, its heady stuff in more ways than one. quot -- Bobbi Sinha-Morey, The Specusphere quotOILING THE TINMANS JAWS. An Interview with David Memmott, quot by Greg Johnson, edited by Duff Brenna, for Perigee: A Publication for the Arts . Issue 20, April-May 2008 ABOUT THE AUTHOR David Memmottrsquos work has appeared in mainstream as well as genre magazines and anthologies. His genre credits include stories and poetry in Interzone . Yearrsquos Best Fantasy amp Horror . Nebula Awards 27 . Airfish . Alchemy of Stars: An Anthology of Rhysling Award Winners . LrsquoUomo Duplicato . (an Italian science fiction anthology), Back Brain Recluse (England), 2001: An Anthology of Science Fiction Poetry . StarLine . The Magazine of Speculative Poetry , New Realities . Works (England), Ball Magazine . and New Pathways into Science Fiction and Fantasy . He co-edited, Angel Body and Other Magic for the Soul . with Chris Reed of BBR Publications, selected as a finalist for the British Fantasy Award for best antholgy of 2003. He has published four books of poetry including The Larger Earth: Descending Notes of a Grounded Astronaut, and a story collection, Shadow Bones . His most recent book of poetry, Watermarked . published by Traprock Books (Eugene, OR, 2004), received four Pushcart Prize nominations. A short story received a Worldwide Writers, Inc. fiction award and essays have been posted on-line including an essay for Writers on the Job at Web del Sol which will be included in an anthology of the same name to be published by Hopewell Publications. An interview and novel excerpt will appear in Perigee . an online literary magazine. Memmott received a Fishtrap Fellowship for his poetry and three Oregon Literary Fellowships for excellence in publishing from Literary Arts, Inc. of Portland, Oregon, most recently in 2006. He is a member of the Writers Guild of Eastern Oregon and serves on the board of RondeHouse Media Arts Konsortium. He lives with his wife, Susan, in La Grande, Oregon. Primetime is his first novel and Book One of the trilogy, DREAMERS ROUND . MAGPIES amp TIGERS . Misha Nogha, Wordcraft of Oregon, LLC: Original trade paperback, 10, black inkcolored coverstock, perfectbound, 5.5 X 8.5, 84 pgs. ISBN: 978-1-877655-49-4, 1-877655-49-X, LCN: 2007930088 Limited edition of 250 copies Cover art by Jessica Soo Hyun Ni, Cover design by Katherine James, Inside digital art by Michael Chocholak ldquoMy fictions are tour guides to the multiverse a stone is not merely a rock, but a small living mountain, a horse is karmic psychic energy, a cat is the Great Mystery, and the seidr-working shamaness is the one person who connects you with your own fate, that special place in the wheel of time which is uniquely yours. The meditative mythologies of Magpies and Tigers are meant to unleash us from the tethers of the mundane. rdquo ldquoMisha Nogharsquos poetry is like the good parts of lifemdashand the good parts of life are often the most dangerous parts, if yoursquore paying attention. Most people are uneasily aware theyrsquore gradually losing touch with something vitalmdashMisharsquos poetry will put you back in touch with that vitality. rdquo mdash John Shirley, The Other End and Living Shadows ldquoMisha Nogha knows not only the animal without but the animal within, and her words sing with this mystery. rdquo mdash Annette Curtis Klaus, Blood and Chocolate and The Silver Kiss ldquoMisha Nogharsquos writings are a kaleidoscope of haunting images. As one poem says, ldquoall realities are spoken here. rdquo Small flashes of color reveal the wild immanence of nature the image of a trotting wind-horse calls up the wideness of the world. Traveling territories seen and unseen, this poetry by a postmodern metaphysician speaks to readers in discordia concours of spectacular wordplay. rdquo mdash Carol McGuirk, Florida Atlantic University, Co-Editor of Science Fiction Studies ldquoA true shaman of the written word, Misha Nogha reminds us of our true human creature selves and our natural heritage through vibrant language, signaling a hyper-reality woven from dreamstates, mythical places, and animal avatars. rdquo mdash Richard Truhlar, The Hollow and Parisian Novels ABOUT THE AUTHOR Misha Nogha is the award winning author of prose and poetry volumes, Prayers of Steel and KeQuaHawkas, and the novel, Red Spider White Web, winner of the 1990 Readercon Award, also a finalist for the Arthur C. Clarke award. Misha won the 1989 Prix DrsquoItalia with her piece, ldquoTsuki Mangetsu, rdquo performed by two Australian artists. In addition to writing prose and poetry Misha is an accomplished musician and has collaborated with several composers on librettos. The first of these was written in conjunction with composer and cellist Jonathan Golove. Its World Premiere was performed by Mr. Golove and Misha at the Festival of 500 years of Western Music in Buffalo New York in the winter of 2000. Misha is currently writing another set of librettos with composer Arie Van Schuterhoeff of Amsterdam. Misha is of mixed blood Metis, and Norse ancestry. The Reverend Nogha is an ordained minister and her spiritual practices reflect both heritages. She lives a full life as author, musician and farmer. She is also a Skywarn Severe Storm Spotter for NOAA and an official National Weather Service Co-op Observer. Misha recently finished her novel Yellowjacket, a humorous and bittersweet literary western, and working on her third and fourth novels, Jack Jinx and Alruna. True denizens of a modern horse culture, Misha and her husband composer Michael Chocholak, own and operate a small farm in Eastern Oregon where they raise beautiful Norwegian Fjord horses. For other books by Misha published by Wordcraft of Oregon (Red Spider White Web and Prayers of Steel), see Speculative Writers Series FINALIST FOR SAN DIEGO BOOK AWARD FOR POETRY CAMERA OBSCURA, Harry Griswold, Wordcraft of Oregon, LLLC: Original trade First trade paperback, 12 perfectbound, 6 X 9, full-color cover, 80 pgs. ISBN: 978-1-877655-55-5, ISBN: 1-877655-55-4, LCN: 2007925640 Limited edition of 500 Cover art: Harry Griswold Cover design: Kristin Johnson, redbat design This book was published in part due to a 2006 Literary Fellowship for Publishers, Literary Arts, Inc, Portland, Oregon ldquoHarry Griswoldrsquos reality presses in from all sides. He speaks in a calm voice, quiet for the most part, but we sense the wildness just under the surface, pushing against the words. rdquo mdash Joseph Millar, Fortune ldquoHarry Griswold is the kind of poet you would like to sit down with. Hersquos weaving stories and he knows just how much to show, how much to tell. You wonrsquot find a false step or easy theatrics. Camera Obscura is the work of an experienced, astute man, very worthwhile taking in. We need more wisdom in our poetry and Griswold delivers. rdquo mdash Eloise Klein Healy, The Island Project: Poems for Sappho ldquoHarry Griswoldrsquos aptly-titled debut collection of poems, Camera Obscura . is filled with peoplemdashreal and imaginedmdashat times isolated in their grief and locked in silence. The poet gives voice to their yearnings, and solace in his plain-spoken words. This is a poetry deeply focused in its seeing, its way of knowing. From the seemingly mundane to the near extraordinary, these poems look at the dailiness of our lives, as in the camerarsquos darkened chamber, lsquoright in the middle of things. rsquordquo mdash Natasha Trethewey, Native Guard . winner of the Pulitzer Prize ABOUT THE AUTHOR A graduate of the MFA Program at Pacific University, Harry Griswold teaches poetry writing in a private workshop at Solano Beach, CA, and lives in San Diego. He is originally from Rochester, NY, where he graduated from Monroe Community College and the University of Rochester. His training was in computer science and experimental psychology. Camera Obscura is Harryrsquos first book of poetry. IN AN ELEVATOR WITH BRIGITTE BARDOT AND OTHER APPRECIATIONS . Essays by Michael Lee, paperback, 232 pgs. 5.5quot X 8.5quot ISBN: 978-1-877655-50-0 Full-color cover, 153.50 sh Cover art: Suzie Hutchins Bardot caricature: Michael Taylor Cover design: Kristin Johnson, redbat design In An Elevator With Brigitte Bardot is an irresistible collection of personal essays in which Michael Lees characteristic humor and compassionate insight revolves around the experience of daily life in Cape Cod. Framed by broad-interest essays that travel far afield and far abroad, the appropriate center of these appreciations is a seasonal round informed by place. But Lees sense of place is not provincial. He always finds the extraordinary in the ordinary, the universal in the local, narrows down soas to expand and open. Lees achievement here in the short essay form is as remarkable as his achievement in short fiction with his debut collection, Paradise Dance, published by Leapfrog Press (2002). Read them both and marvel. quotEach essay is only a few pages long, yet each strikes the heart of its topic with a deft flick of the wrist. A teasury to savor a bit at a time, or all at once. quot -- Michael J. Carson, The Midwest Book Review quotI see Michael Lee once a week for therapy. Believe me, I earn every dime. quot mdash Gordon Barney, MA, LMHC quotMIke Lee writes with honesty, penetration, wit and the ability to surprise the reader with an unexpected turn from time to time that enriches the experience. quot mdash Norman Mailer quotMichael Lees In An Elevator With Brigitte Bardot is by turns melancholy and hilarious, sweet and bittersweet, a gift of hard-won wisdom and wry observation from a shrimp header, soundboard man, delivery driver, short-order cook, bricklayer, fisherman, soldier, back trap hauler and self-described dyslexic carpenter who is first and foremost a writer of enormous gifts. If there is such a thing as painful joy, Michael Lee is its voice. quot mdash Thomas H. Cook, Edgar Award winning author of Red Leaves . Peril . Into the Web . tra gli altri. quotGold, silver and bronzemdashBarry, Keillor, Leemdashthough not necessarily in that order. With In An Elevator With Brigitte Bardot . Mike Lee steps into the natioal circle of champs. He makes it look so easymdashhow the hell does he do it Hell make you chortle and chuckle before surrendering the last of your cool in a boil of laughter all the while your mist-eyed heart sputters, Hes right Hes got it That just exactly it More, Mr. Lee Morequot mdash Thomas E. Kennedy, The Literary Review quotIn swift language woven with sparkling metaphors, Lees wry, sometimes zany observations dissect the human comedy in ways that are ironic but seldom bitter or satirical. Lee has a big heart, and he sees the good in almost everything or if not the good, at least the humor. If there is one thing we need more of in this sadly fracturing world, it is laughter. Michael Lees In An Elevator With Brigitte Bardot provides a whole lot of laughter and plenty of food for thought. quot mdash Duff Brenna, The Law of Falling Bodies . The Book of Mamie . among others ABOUT THE AUTHOR Michael Lee has held an array of jobs that now seem standard in a writerrsquos profile: construction worker, shrimp peeler, commercial diver, short order cook, drummer in a useless band, bartender, and cemetery lawn mower. He began his writing career at age 16 with short humor pieces for Skin Diver Magazine. While serving with the Marine Corps at Khe Sanh in Vietnam, Lee also wrote dispatches for Stars and Stripes and his hometown newspaper in Framingham, Massachusetts. He holds a B. A. from the University of Massachusetts at Dartmouth and an M. F.A. from Emerson College. Currently, Lee is the Literary Editor of The Cape Cod Voice and the director of the annual literary soiree, ldquoNew Works Weekend, rdquo in Orleans, Massachusetts. Lee is a member of the Writerrsquos Guild and the National Book Critics Circle, and his collection of short stories, ldquoParadise Dance, rdquo was published by Leapfrog Press in 2002. He lives on Cape Cod with his wife Julia and is currently working on a novel. Paradise Dance . short stories by Michael Lee, 216 pgs. 0-9679520-6-9, 6 X 9, 14.95paperback original available from Leapfrog Press leapfrogpress FINALIST FOR FOREWORD MAGAZINES BOOK OF THE YEAR AWARD FOR LITERARY FICTION A PASSION IN THE DESERT . a novel by Thomas E. Kennedy, paperback, ISBN:1-877655-52-X978-1-8877655-52-4, 192 pgs. 5 12 X 8 12, full-color cover, 153.50 sh Cover artwork by Andi Olsen Cover design by Kristin Johnson, redbat design It is no concidence that Thomas E. Kennedys eighth novel, A Passion in the Desert . borrows its title from a Balzac story about mistrust and betrayalmdashfor these are the themes at the heart of this unsettling story about a man stalked by guilt over a choice he made two decades before. Now small strange happenings begin to plague his daysmdashsomebody elses words in his journal, one too many flat tires, things out of place in his home, damning evidence in his laundry. Somebody, it seems, is after him, but who A colleague His own son Or is it all just a reflection of the guilt, festering in his own heart quotReaders have been introduced to a very troubled mind which only exposes itself slowly as the book progresses. quot Line on Line, Volume 29, Number 3 quotIn A Passion in the Desert . Kennedys exploration of the many modalities of love delivers us to the convergence of sex and death. I dont know of another fiction writer today whose craft is a match for his. quot mdash Robert Gover, author of One Hundred Dollar Misunderstanding quotSpellbinding, at times terrifying, with prose that is heartbreakingly beautiful. Kennedy has written a story of the aftermath of an unforgettable passion, the cost of letting go, and then letting go. quot mdash Duff Brenna, author of The Book of Mamie quotBy the time readers finish A Passion in the Desert . they will know its central character, Fred Twomey, more intimately than they know the people around them, quite possibly even themselves. Thats one of the powers of great fiction, and Thomas E. Kennedy possesses a special ability to explore the landscape of a mans inner world, exposing emotions and secrets he can barely admit to himself. Although Twomeys life is unique, caught up in its own particular drama, he is clearly one of us, and in discovering him, we discover ourselves. quot mdash Walter Cummins, The Literary Review ABOUT THE AUTHOR Thomas E. Kennedy, a native of New York and American exjpatriate in Europe since the mid-1970s, is the author of eleven books of fiction, including two volumes in 2007--the novel, A Passion in the Desert . and story collection, Cast Upon the Day. Other recent novels are the four books of The Copenhagen Quartet (Kerrigens Copenhagen, A Love Story, 2002 Bluetts Blue Hours, 2003 Greenes Summer, 2004 and Danish Fall . 2005). Kennedys fiction has won numerous awards including the O. Henry, Pushcart, Gulf Coast, and European Prizes, the Charles Angoff Award, and the Frank Expatriate Writers Award. Other Wordcraft of Oregon titles by Thomas E. Kennedy FINALIST FOR THE SPUR AWARD FOR POETRY FROM WESTERN WRITERS OF AMERICA LESSONS FOR CUSTER . Poems by Thomas Madden ISBN: 1-877655-47-3 Trade paperback, 64 pages, 6 quot x 9 quot. 14 3.50 sh This collection is centered around a group of poems which focus on the Battle of the Little Big Horn in 1876. quotTom Maddens poems sing of life, of rich histories, and the sad and beautitful landscapes that make us mourn and rejoice. His voice is quiet but insistent. Here, he is saying, look closely, more closely at the soul of the American West and our place here. This is a profound and beautiful collection. quot mdash Debra Magpie Earling, author of Perma Red quotThese small rooms into which Thomas Madden leads us, quietly, hand in hand, burst with treasure. quot mdashDavid Axelrod, winner of the 2004 Spokane Prize for Poetry SOLDIER TO ADVOCATE: C. E. S. WOODS 1877 LEGACY . George Venn ISBN: 1-877655-48-1 Trade paperback, 98 pages, 8.5quot x 11quot. 203.50 sh SECOND PRINTING: Send check or postal money order for 20 3 SH (media book) to: Wordcraft of Oregon, LLC, P. O. Box 3235, La Grande, OR 97850. (See ordering information for shipping costs.) Only 24 copies of First Edition, First Printing, signed by author, remain. Get yours now for 35 SH. quotGEORGE VENN IS BREAKING NEW GROUND. quot mdash Jeff Baker, Book Section, The Sunday Oregonian quot. this fascinating book is a must-read, must-have for students of Nez Perce tribal history. Venns teamwork with Wordcraft of Oregon has produced an outstanding work that will be a treasure now and in the future. the unique kind of scholarship represented by Venn. artistically, seamlessly ties modern tribal history to that earlier troubled time. quot -- Steven R. Evans, Oregon HIstorical Quarterly ONE AMERICAN SOLDIER, ONE NEZ PERCE CHIEF: ONE SPIRIT Soldier to Advocate tells the story of 2nd Lieutenant Charles Erskine Scott Wood (1852-1944) who wants to be a lover and a writer. Stationed in 1877 at Vancouver Barracks near Portland, General Howard grants Wood the privilege of exploring Alaska, then recalls him to fight in the tragic Nez Perce War. Part II features Woods transcribed diary from this period, a text enriched by Woods drawings leaked to the New York pressmdashthe only eye-witness images of the Nez Perce conflict. Part III traces Woods lifetime of prose and poetry defending Chief Joseph and finally opposing General Howard. The book concludes by documenting three 1990s events in the Wood familys legacy of friendship and respect for the Nez Perces: a joint exhibition, the gift of a stallion, and a reconciliation ceremony. With nearly two hundred notes and forty additional 19th century images, Soldier to Advocate shows us that history is the nightmare from which we should all try to awake. quotI highly recommend that any serious student of the Nez Perce Campaign read this excellent and rich piece of work. Mr. Venns research in Soldier to Advocate will add that quotmissing piecequot to some of the misunderstandings of the Nez Perce War. quot -- W. Otis Halfmoon (Nez Perce), former Idaho Unit Manager, Nez Perce National Historical Park, contributor to the Encyclopedia of North American Indians quotGeorge Venns work is a superb contribution to our knowledge of the Nez Perce War, particularly as it respects judgments about Charles E. S. Wood as historian, participant, and literary influence. quot -- Jerome A. Greene, historian and author of Nez Perce Summer, 1977: The U. S. Army and the Nee-Me-Poo Crisis quotThank you for that wonderful publication, Soldier to Advocate . Its rich, rich, rich, and I congratulate you. quot -- Alvin Josephy, historian and author of The Nez Perce Indians and the Opening of the Pacific Northwest Also by George Venn George Venns website: An American treasure back in print mdash in a new and revised edition. THE BOOK OF MAMIE . Duff Brenna ISBN: 978-1-877655-45-6, ISBN: 1-877655-45-7 Trade paperback, 392 pages. 183.50 sh The Book of Mamie is the story of one persons struggle to overcome the abuse and traumas of her childhood. It is the story of a wonderfully gifted young woman, a young woman of genius, uncanny wisdom and primitive strength, whose revelations unfold in the course of an odyssey across the heartland of America. Mamies story is told by her companion, a 15-year-old farmboy who shares her adventures with a wild variety of characters and whose own story becomes a rite of passage as they try to stay one step ahead of the law and Mamies sinister father. quotDuff Brennas The Book of Mamie reminds us why we read. This novel is unforgettable. quot --James Michael Slama, The Literary Review quot. a risky, graceful book. told in language that is lean and unpretentious, a language forged out of the hard landscape of the rural Middle West. quot quotDuff Brenna is an American treasure. quot -- The Bloomsbury Review quotAnd Brenna writes consciously in the American tradition, invoking Mark Twains Huckleberry Finn in both the voice and the story. and he is in good company with the great literary voices to whom he pays homage. quot -- San Francisco Chronicle Duff Brennas website: They set out to find J. D. SALINGER JD: A MEMOIR OF A TIME AND A JOURNEY . Greg Herriges ISBN: 978-1-877655-46-3, ISBN: 1-877655-46-5 Trade paperback, 136 pages. 153.50 sh In the mid-1970s, hiding out for nearly a decade, J. D. Salinger had long been a literary legend, the lost leader and vanished wiseman of millions of readers around the world, from the USA to the USSR. An unreachable hero. Or was he Enter inner-city teacher Greg Herriges, determined to fulfill his dream of meeting and speaking with the reclusive author. Herrigesrsquo tale is a double helix narrative of personal quest and romantic love as he and his former girlfriend, both young, big city high school teachers, hit the road one summer, Kerouac-style, on a mission to find the hidden giant, discovering America ndash and themselves ndash along the way. This journey of two young idealistic English teachers who set out to find J. D. Salinger is a love story as well as a tribute to the reclusive author. quotBeyond the vividness with which Herriges conveys the surface adventures, JD is much more than a celebrity hunt. The books profound human complexities give it emotional depth. quot --Walter Cummins, The Literary Review ABOUT THE AUTHOR Greg Herriges has published three novels: Somewhere Safe, Secondary Attachments, and the twice award-nominated The Winter Dance Party Murders . a murder mystery satire of the golden days of rock and roll. His short works have appeared in Chicago Tribune Magazine . Social Issues Resources, The Literary Review, Story Quarterly, Britains World Wide Writers, and South Carolina Review. He is a professor of English at William Rainey Harper College in Palatine, Illinois. Scroll down list and click on title BacklistJazz Police Books